At the end of about a week or so, it became very generally known among the mystic "Upper Ten" of artistic and literary circles, that Theos Alwyn, the famous author of "Nourhalma" was, to put it fashionably, "in town." According to the classic phrasing of a leading society journal, "Mr. Theos Alwyn, the poet, whom some of our contemporaries erroneously reported as dead, has arrived in London from his tour in the East. He is for the present a guest of the Honorable Francis Villiers."
The consequence of this and other similar announcements was, that the postman seemed never to be away from Villiers's door; and every time he came he was laden with letters and cards of invitation, addressed, for the most part, to Villiers himself, who, with something of dismay, saw his study table getting gradually covered with accumulating piles of society litter, such as is comprised in the various formal notifications of dinners, dances, balls, soirees, "at homes," and all the divers sorts of entertainment with which the English "s'amusent moult tristement."
Some of these invitations, less ceremonious, were in form of pretty little notes from great ladies, who entreated their "DEAR Mr. Villiers" to give them the "EXTREME honor and pleasure" of his company at certain select and extra brilliant receptions where Royalty itself would be represented, adding, as an earnest postscript--"and DO bring the LION, you know, your VERY interesting friend, Mr. Alwyn, with you!"--A good many such billets-doux were addressed to Alwyn personally, and as he opened and read them he was somewhat amused to see how many who had formerly been mere bowing acquaintances were now suddenly, almost magically, transformed into apparently eager, admiring, and devoted friends.
"One would think these people really liked me for myself,"--he said one morning, tossing aside a particularly gushing, pressing note from a lady who was celebrated for the motley crowds she managed to squeeze into her rooms, regardless of any one's comfort or convenience,--"And yet, as the matter stands, they actually know nothing of me. I might be a villain of the deepest dye, a kickable cad, or a coarse ruffian, but so long as I have written a 'successful' book and am a 'somebody'--a literary 'notable'--what matter my tastes, my morals, or my disposition! If this sort of thing is Fame, all I can say is, that it savors of very detestable vulgarity!"
"Of course it does!"--assented Villiers-"But what else do you expect from modern society? ... What CAN you expect from a community which is chiefly ruled by moneyed parvenus, BUT vulgarity? If you go to this woman's place, for instance"--and he glanced at the note Alwyn had thrown on the table,--"you will share the honors of the evening with the famous man-milliner of Bond Street, an 'artist' in gowns, the female upholsterer and house decorator, likewise an 'artist,'--the ladies who 'compose' sonnets in Regent Street, also 'artists,--' and chiefest among the motley crowd, perhaps, the so-called new 'Apostle' of aestheticism, a ponderous gentleman who says nothing and does nothing, and who, by reason of his stupendous inertia and taciturnity, is considered the greatest 'gun' of all! ... it's no use YOUR going among such people,--in fact, no one who has any reverence left in him for the TRUTH of Art CAN mix with those whose profession of it is a mere trade and hypocritical sham. Such dunderheads would see no artistic difference between Phidias and the man of to-day who hews out and sets up a common marble mantel- piece! I'm not a fellow to moan over the 'good old times,'--no, not a bit of it, for those good old times had much in them that was decidedly bad,--but I wish progress would not rob us altogether of refinement."