"Oh, Nell!" cried Bo, with delight. "We're nearly there! Next station, the conductor said."
"I wonder if the stage travels at night," said Helen, thoughtfully.
"Sure it does!" replied the irrepressible Bo.
The train, though it clattered along as usual, seemed to Helen to fly. There the sun was setting over bleak New Mexican bluffs, Magdalena was at hand, and night, and adventure. Helen's heart beat fast. She watched the yellow plains where the cattle grazed; their presence, and irrigation ditches and cottonwood-trees told her that the railroad part of the journey was nearly ended. Then, at Bo's little scream, she looked across the car and out of the window to see a line of low, flat, red-adobe houses. The train began to slow down. Helen saw children run, white children and Mexican together; then more houses, and high upon a hill an immense adobe church, crude and glaring, yet somehow beautiful.
Helen told Bo to put on her bonnet, and, performing a like office for herself, she was ashamed of the trembling of her fingers. There were bustle and talk in the car.
The train stopped. Helen peered out to see a straggling crowd of Mexicans and Indians, all motionless and stolid, as if trains or nothing else mattered. Next Helen saw a white man, and that was a relief. He stood out in front of the others. Tall and broad, somehow striking, he drew a second glance that showed him to be a hunter clad in gray-fringed buckskin, and carrying a rifle.