His intention had been to keep her occupied exclusively at the studio, but accident had modified this. However, he sent her round one morning, and entering himself shortly after found her engaged in wiping the layers of dust from the casts and models.
The colour of the dust never ceased to amaze her. 'It is like the hold of a Budmouth collier,' she said, 'and the beautiful faces of these clay people are quite spoilt by it.'
'I suppose you'll marry some day, Avice?' remarked Pierston, as he regarded her thoughtfully.
'Some do and some don't,' she said, with a reserved smile, still attending to the casts.'
'You are very offhand,' said he.
She archly weighed that remark without further speech. It was tantalizing conduct in the face of his instinct to cherish her; especially when he regarded the charm of her bending profile; the well-characterized though softly lined nose, the round chin with, as it were, a second leap in its curve to the throat, and the sweep of the eyelashes over the rosy cheek during the sedulously lowered glance. How futilely he had laboured to express the character of that face in clay, and, while catching it in substance, had yet lost something that was essential!
That evening after dusk, in the stress of writing letters, he sent her out for stamps. She had been absent some quarter of an hour when, suddenly drawing himself up from over his writing-table, it flashed upon him that he had absolutely forgotten her total ignorance of London.
The head post-office, to which he had sent her because it was late, was two or three streets off, and he had made his request in the most general manner, which she had acceded to with alacrity enough. How could he have done such an unreflecting thing?
Pierston went to the window. It was half-past nine o'clock, and owing to her absence the blinds were not down. He opened the casement and stepped out upon the balcony. The green shade of his lamp screened its rays from the gloom without. Over the opposite square the moon hung, and to the right there stretched a long street, filled with a diminishing array of lamps, some single, some in clusters, among them an occasional blue or red one. From a corner came the notes of a piano-organ strumming out a stirring march of Rossini's. The shadowy black figures of pedestrians moved up, down, and across the embrowned roadway. Above the roofs was a bank of livid mist, and higher a greenish-blue sky, in which stars were visible, though its lower part was still pale with daylight, against which rose chimney-pots in the form of elbows, prongs, and fists.