It took her to the river.
"It's like the Medway," said Betty, stooping to the fat cowslips at her feet, "only prettier; and I never saw any cowslips here--You dears!"
Betty would not look at her sorrow in this gay, glad world. But she knew at last what her sorrow's name was. She saw now that it was love that had stood all the winter between her and Vernon, holding a hand of each. In her blindness she had called it friendship,--but now she knew its real, royal name.
She felt that her heart was broken. Even the fact that her grief was a thing to be indulged or denied at will brought her no doubts. She had always wanted to be brave and noble. Well, now she was being both.
A turn of the river brought to sight a wide reach dotted with green islands, each a tiny forest of willow saplings and young alders.
There was a boat moored under an aspen, a great clumsy boat, but it had sculls in it. It would be pleasant to go out to the islands.
She got into the boat, loosened the heavy rattling chain and flung it in board, took up the sculls and began to pull. It was easy work.
"I didn't know I was such a good oar," said Betty as the boat crept swiftly down the river.
As she stepped into the boat, she noticed the long river reeds straining down stream like the green hair of hidden water-nixies.
She would land at the big island--the boat steered easily and lightly enough for all its size--but before she could ship her oars and grasp at a willow root she shot past the island.
Then she remembered the streaming green weeds.
"Why, there must be a frightful current!" she said. What could make the river run at this pace--a weir--or a waterfall?
She turned the boat's nose up stream and pulled. Ah, this was work! Then her eyes, fixed in the exertion of pulling, found that they saw no moving banks, but just one picture: a willow, a clump of irises, three poplars in the distance--and the foreground of the picture did not move. All her pulling only sufficed to keep the boat from going with the stream. And now, as the effort relaxed a little it did not even do this. The foreground did move--the wrong way. The boat was slipping slowly down stream. She turned and made for the bank, but the stream caught her broadside on, whirled the boat round and swept it calmly and gently down--towards the weir--or the waterfall.