And Monsignor, upon whom a cardinal rested, had moments of strange and horrible insecurity--inexplicable in a religion that explained even disbelief in terms of its own faith: if you doubted the devil it was the devil that made you doubt him. Amory had seen Monsignor go to the houses of stolid philistines, read popular novels furiously, saturate himself in routine, to escape from that horror.
And this priest, a little wiser, somewhat purer, had been, Amory knew, not essentially older than he.
Amory was alone--he had escaped from a small enclosure into a great labyrinth. He was where Goethe was when he began "Faust"; he was where Conrad was when he wrote "Almayer's Folly."
Amory said to himself that there were essentially two sorts of people who through natural clarity or disillusion left the enclosure and sought the labyrinth. There were men like Wells and Plato, who had, half unconsciously, a strange, hidden orthodoxy, who would accept for themselves only what could be accepted for all men--incurable romanticists who never, for all their efforts, could enter the labyrinth as stark souls; there were on the other hand sword-like pioneering personalities, Samuel Butler, Renan, Voltaire, who progressed much slower, yet eventually much further, not in the direct pessimistic line of speculative philosophy but concerned in the eternal attempt to attach a positive value to life....
Amory stopped. He began for the first time in his life to have a strong distrust of all generalities and epigrams. They were too easy, too dangerous to the public mind. Yet all thought usually reached the public after thirty years in some such form: Benson and Chesterton had popularized Huysmans and Newman; Shaw had sugar-coated Nietzsche and Ibsen and Schopenhauer. The man in the street heard the conclusions of dead genius through some one else's clever paradoxes and didactic epigrams.
Life was a damned muddle... a football game with every one off-side and the referee gotten rid of--every one claiming the referee would have been on his side....
Progress was a labyrinth... people plunging blindly in and then rushing wildly back, shouting that they had found it... the invisible king--the elan vital--the principle of evolution... writing a book, starting a war, founding a school....
Amory, even had he not been a selfish man, would have started all inquiries with himself. He was his own best example--sitting in the rain, a human creature of sex and pride, foiled by chance and his own temperament of the balm of love and children, preserved to help in building up the living consciousness of the race.
In self-reproach and loneliness and disillusion he came to the entrance of the labyrinth.