The days dragged on so wearily that, to Rose, the hours seemed unending. Allison came to the house frequently, but seldom spoke of his music; for more than a week, he did not ask her to play at all. On the rare occasions when he brought his violin with him, the old harmony seemed entirely gone. The pianist's fingers often stumbled over the keys even though Allison played with new authority and that magical power that goes by the name of "inspiration," for want of a better word.
Once she made a mistake, changing a full chord into a dissonance so harsh and nerve-racking that Allison shuddered, then frowned. When they had finished, he turned to her, saying, kindly: "You're tired, Rose. I've been a selfish brute and let you work too hard."
Quick denial was on her lips, but she stopped in time and followed his lead gracefully. "Yes, and my head aches, too. If all of you will excuse me, I'll go up and rest for a little while."
Evening after evening, she made the same excuse, longing for her own room, with a locked and bolted door between her and the outer world. Lonely and miserable though she was, she had at least the sense of shelter. Pride, too, sustained her, for, looking back to the night they met, months ago, she could remember no word nor act, or even a look of hers that had been out of keeping.
Over and over again she insisted to herself, stubbornly: "I will have nothing that is not true,--nothing that is not true." In the midnight silences, when she lay wide awake, though all the rest of the world slept, the words chimed in with her heart-beats: "Nothing that is not true--nothing--that is--not true."
Madame Francesca, loving Rose dearly, became sorely troubled and perplexed. She could not fail to see and understand, and, at times, feared that Allison and Isabel must see and understand also. She watched Rose faithfully and shielded her at every possible point. When Isabel inquired why Rose was always tired in the evening, Madame explained that she had been working too hard and that she had made her promise to rest.
Rose spent more time than usual at the piano but she neglected her own work in favour of Allison's accompaniments. When she was alone, she could play them creditably, even without the notes, but if, by any chance, he stood beside her, waiting until the prelude was finished, she faltered at the first sound of the violin.
At last she gave it up and kept more and more to her own room. Madame meditated upon the advisability of sending Isabel away, providing it could be done gracefully, or even taking her on some brief journey, thus leaving Rose in full possession of the house.