"Like your singing--yes," said Mab, who had hitherto kept a modest silence, and now spoke bashfully, as was her wont in the presence of Prince Camaralzaman--"Ma, do ask Mirah to sing. Mr. Deronda has not heard her."
"Would it be disagreeable to you to sing now?" said Deronda, with a more deferential gentleness than he had ever been conscious of before.
"Oh, I shall like it," said Mirah. "My voice has come back a little with rest."
Perhaps her ease of manner was due to something more than the simplicity of her nature. The circumstances of her life made her think of everything she did as work demanded from her, in which affectation had nothing to do; and she had begun her work before self-consciousness was born.
She immediately rose and went to the piano--a somewhat worn instrument that seemed to get the better of its infirmities under the firm touch of her small fingers as she preluded. Deronda placed himself where he could see her while she sang; and she took everything as quietly as if she had been a child going to breakfast.
Imagine her--it is always good to imagine a human creature in whom bodily loveliness seems as properly one with the entire being as the bodily loveliness of those wondrous transparent orbs of life that we find in the sea--imagine her with her dark hair brushed from her temples, but yet showing certain tiny rings there which had cunningly found their own way back, the mass of it hanging behind just to the nape of the little neck in curly fibres, such as renew themselves at their own will after being bathed into straightness like that of water-grasses. Then see the perfect cameo her profile makes, cut in a duskish shell, where by some happy fortune there pierced a gem-like darkness for the eye and eyebrow; the delicate nostrils defined enough to be ready for sensitive movements, the finished ear, the firm curves of the chin and neck, entering into the expression of a refinement which was not feebleness.
She sang Beethoven's "Per pietà non dirmi addio" with a subdued but searching pathos which had that essential of perfect singing, the making one oblivious of art or manner, and only possessing one with the song. It was the sort of voice that gives the impression of being meant like a bird's wooing for an audience near and beloved. Deronda began by looking at her, but felt himself presently covering his eyes with his hand, wanting to seclude the melody in darkness; then he refrained from what might seem oddity, and was ready to meet the look of mute appeal which she turned toward him at the end.