PARAMORE: Sure. Do them all.
GLORIA: All right. You start from that side of the room and I'll start from this.
MURIEL: Let's go!
(Then Bedlam creeps screaming out of the bottles: TANA plunges into the recondite mazes of the train song, the plaintive "tootle toot-toot" blending its melancholy cadences with the "Poor Butter-fly (tink-atink), by the blossoms wait-ing" of the phonograph. MURIEL is too weak with laughter to do more than cling desperately to BARNES, who, dancing with the ominous rigidity of an army officer, tramps without humor around the small space. ANTHONY is trying to hear RACHAEL'S whisper--without attracting GLORIA's attention....But the grotesque, the unbelievable, the histrionic incident is about to occur, one of those incidents in which life seems set upon the passionate imitation of the lowest forms of literature. PARAMORE has been trying to emulate GLORIA, and as the commotion reaches its height he begins to spin round and round, more and more dizzily--he staggers, recovers, staggers again and then falls in the direction of the hall ... almost into the arms of old ADAM PATCH, whose approach has been rendered inaudible by the pandemonium in the room._ ADAM PATCH is very white. He leans upon a stick. The man with him is EDWARD SHUTTLEWORTH, and it is he who seizes PARAMORE by the shoulder and deflects the course of his fall away from the venerable philanthropist.
The time required for quiet to descend upon the room like a monstrous pall may be estimated at two minutes, though for a short period after that the phonograph gags and the notes of the Japanese train song dribble from the end of TANA'S flute. Of the nine people only BARNES, PARAMORE, and TANA _are unaware of the late-comer's identity. Of the nine not one is aware that ADAM PATCH _has that morning made a contribution of fifty thousand dollars to the cause of national prohibition. It is given to PARAMORE to break the gathering silence; the high tide of his life's depravity is reached in his incredible remark.) PARAMORE: (Crawling rapidly toward the kitchen on his hands and knees) I'm not a guest here--I work here.()
(Again silence falls--so deep now, so weighted with intolerably contagious apprehension, that RACHAEL gives a nervous little giggle, and DICK _finds himself telling over and over a line from Swinburne, grotesquely appropriate to the scene: "One gaunt bleak blossom of scentless breath."
... Out of the hush the voice of ANTHONY, sober and strained, saying something to ADAM PATCH; then this, too, dies away.)
SHUTTLEWORTH: (Passionately) Your grandfather thought he would motor over to see your house. I phoned from Rye and left a message.)