For his more solid education, we are told, he went to Salamanca. But why
Rodrigo de Cervantes, who was very poor, should have sent his son to a
university a hundred and fifty miles away when he had one at his own
door, would be a puzzle, if we had any reason for supposing that he did
so. The only evidence is a vague statement by Professor Tomas Gonzalez,
that he once saw an old entry of the matriculation of a Miguel de
Cervantes. This does not appear to have been ever seen again; but even if
it had, and if the date corresponded, it would prove nothing, as there
were at least two other Miguels born about the middle of the century; one
of them, moreover, a Cervantes Saavedra, a cousin, no doubt, who was a
source of great embarrassment to the biographers.
That he was a student neither at Salamanca nor at Alcala is best proved
by his own works. No man drew more largely upon experience than he did,
and he has nowhere left a single reminiscence of student life-for the
"Tia Fingida," if it be his, is not one--nothing, not even "a college
joke," to show that he remembered days that most men remember best. All
that we know positively about his education is that Juan Lopez de Hoyos,
a professor of humanities and belles-lettres of some eminence, calls him
his "dear and beloved pupil." This was in a little collection of verses
by different hands on the death of Isabel de Valois, second queen of
Philip II, published by the professor in 1569, to which Cervantes
contributed four pieces, including an elegy, and an epitaph in the form
of a sonnet. It is only by a rare chance that a "Lycidas" finds its way
into a volume of this sort, and Cervantes was no Milton. His verses are
no worse than such things usually are; so much, at least, may be said for
them.
By the time the book appeared he had left Spain, and, as fate ordered it,
for twelve years, the most eventful ones of his life. Giulio, afterwards
Cardinal, Acquaviva had been sent at the end of 1568 to Philip II by the
Pope on a mission, partly of condolence, partly political, and on his
return to Rome, which was somewhat brusquely expedited by the King, he
took Cervantes with him as his camarero (chamberlain), the office he
himself held in the Pope's household. The post would no doubt have led to
advancement at the Papal Court had Cervantes retained it, but in the
summer of 1570 he resigned it and enlisted as a private soldier in
Captain Diego Urbina's company, belonging to Don Miguel de Moncada's
regiment, but at that time forming a part of the command of Marc Antony
Colonna. What impelled him to this step we know not, whether it was
distaste for the career before him, or purely military enthusiasm. It may
well have been the latter, for it was a stirring time; the events,
however, which led to the alliance between Spain, Venice, and the Pope,
against the common enemy, the Porte, and to the victory of the combined
fleets at Lepanto, belong rather to the history of Europe than to the
life of Cervantes. He was one of those that sailed from Messina, in
September 1571, under the command of Don John of Austria; but on the
morning of the 7th of October, when the Turkish fleet was sighted, he was
lying below ill with fever. At the news that the enemy was in sight he
rose, and, in spite of the remonstrances of his comrades and superiors,
insisted on taking his post, saying he preferred death in the service of
God and the King to health. His galley, the Marquesa, was in the thick of
the fight, and before it was over he had received three gunshot wounds,
two in the breast and one in the left hand or arm. On the morning after
the battle, according to Navarrete, he had an interview with the
commander-in-chief, Don John, who was making a personal inspection of the
wounded, one result of which was an addition of three crowns to his pay,
and another, apparently, the friendship of his general.