“That’s a natural enough thing to do,” I tell him.
“I guess. If you want to be an ass**le.”
It is so strange to be here, to finally be saying all these things out loud. Some of them are things I didn’t even know that I knew. And others are things I’ve wanted to pull people aside and say, but it was never the right time. My mother is on edge enough, trying to figure out our apartment and her job and whether living downtown is going to kill us. And maybe one of my friends at school would get it, but I haven’t found which one yet. So here I am, with a near stranger, who John told me had hurt Peter’s feelings, but not too bad.
“I want to tell you something,” I say. And I’m not even sure what I’m going to tell him. I want to find the thing I most don’t want to say, the thing I am the most unsure of, because I don’t know if I’m going to have this chance again.
He opens the door. “What?”
And I’m telling him.
What?
I’m saying
“I liked breathing it in.”
And he doesn’t get it. So I say
“That air. The air afterwards. I wanted to breathe it in. It felt right to breathe it in. Because we were breathing them in, weren’t we? And the buildings. We were breathing it all in. And I thought, there’s a part of this that’s actually a part of me now. I now have that responsibility. I am alive, and I am breathing, and I can do the things this dust can’t do.”
I think for the twelfth time tonight he’s going to tell me I’m insane. But instead he says, “I collected their papers. The ones that blew into Brooklyn. They were just there at first. I didn’t even know what they were. But once I did, I went all over the place, picking them up. I don’t know what to do with them. I mean, they’re meaningless now, but they still exist. You can’t throw out something like that. You can’t make them gone like that.”
“You did the right thing,” I say.
“For the first time in my life,” he jokes.
“Not really,” I tell him. “Not at all, I’m sure.”
I’m not just saying it. I know it’s true.
“Do you always have such faith in strangers?” he says.
“Only the ones who go out on really bad dates with my friends.”
Wouldn’t it be funny, though, if the answer was yes?
I want to have faith in strangers. I want to have faith in what we’re all going to do next. But I’m worried. I see things shifting from United We Stand to God Bless America. I don’t believe in God Bless America. I don’t believe a higher power is standing beside us and guiding us. I don’t believe we’re being singled out. I believe much more in United We Stand. I have my doubts, but I want it to be true. Wouldn’t it be wonderful if we really came together, if we really found a common humanity? The hitch is that you can’t find a common humanity just because you have a common enemy. You have to find a common humanity because you believe that it’s true.
It’s getting cold out, and I don’t have a jacket. I was only going to walk around for a few minutes. I just needed to say good night to the streets before going back to my room. I know I won’t be able to keep doing this. I know the streets don’t care. But I need to do it.
I shiver, and Jasper puts his arm around me. Not like a boy who’s after a grope, or even a consoling parent. He just draws me a little into his body, making us a shelter for a time.
“I don’t want to go,” he says. “I mean, I can’t stay in my house, and I’m sure school will be great, but at the same time, I don’t want to go.”
“The city will still be here, I promise,” I say.
“But will it be the same city?”
I shake my head. “It’s never the same city. Your city isn’t even the same as my city, I bet.”
“I guess.”
“And that’s not really the problem,” I say.
“Then what is?”
“You don’t want to deal. With life. With other people.”
“You should’ve warned me you had a photographic memory.”
“Can you have a photographic memory for things that are said? Wouldn’t that be something else? And it was only a few minutes ago. Don’t give me too much credit.”
The funny thing is, I want to talk to him as much as he wants to talk to me. And I have been dealing. I’ve been going to school, doing my work, volunteering as much as I can, trying to get other people to volunteer, too. But I guess it’s just as easy to get lost in the dealing as it is to get lost in the avoidance.
“Do you remember Mitchell’s party?” Jasper asks.
“It seems like ages ago,” I tell him. “But yes, I do.”
“Tell me what you remember.”
It’s easy to know where to begin. “You were the life of the party,” I say. “I mean, there wasn’t a song you wouldn’t dance to. Even the sappy ballads, you were swaying. I think you were wearing a blue shirt. I remember at one point you sat on Peter’s lap. You were such a flirt. And he had such an instant crush on you.”
“What else?” His eyes are closed, like he’s a kid and I’m telling him a fairy tale.
“God, I don’t know. I wasn’t even going to go, but my friend Casey really wanted to go because she thinks Mitchell’s brother, Bill, is really hot. So we got there, and it ended up that Bill was away wherever Mitchell’s parents were. So Casey wanted to leave immediately, but I figured that since we were there, we should stay. Mitchell was always one of my favorite people in school. And, let’s see, that night he was wearing a Nelly Furtado T-shirt, but he’d crossed out the Furtado part, so it just said Nelly. There might have even been some sequins involved. Am I right?”
Jasper nods, eyes still closed.
“And—I don’t know—we were all really happy, weren’t we? I mean, school had started, but the real part hadn’t started yet. This was like the one weekend when we didn’t have to worry about homework or colleges or SATs or anything. It was just a big welcome back. And Laine Taylor had cut all her hair off, and Greg Watson had grown his long, and Aiden Smith couldn’t stop talking about this guy who was a counselor with him who he’d fallen head over heels in love with. And Jill Breslin—God, poor Jill Breslin—she was drunk off her ass. On Bud Light! She was still really tan from the summer. She had on a necklace I really liked, although now I couldn’t tell you what it was. Only that I liked it.”
I want Jasper to chime in, but he just says, “What else?”
“What else?” I think about it. “I tried putting on some Tori Amos, but Mitchell said it wasn’t party music and switched it back to Christina Aguilera. I asked him if he had any Ricky Martin. I was joking, and he said, ‘Yeah, I have some Ricky Martin … in my bedroom.’ Oh God—and then there was the fight that Greg and Lauren got into, about what time she had to be home. And he was saying they were seniors now, so her parents needed to let her stay out later than eleven on a Saturday, and somehow it became about how he doesn’t understand her at all, and she was crying, and he was asking her what he did wrong, why she was acting like this, and the rest of us were like, ‘There’s no way I’m going anywhere near that.’”
“Good policy.”
“I know!”
“What were you wearing?”
“I don’t remember.” I say that, and then I do remember. Not because I can picture myself wearing it, but because it was waiting for me in the hamper when we finally got back to the apartment. “Wait—it was a Sleater-Kinney T-shirt. And jeans.”
I want Jasper to say he remembers me, he remembers the shirt. But it’s clear he doesn’t.
He opens his eyes. “I want to remember it more,” he says. “The party. Because, you know, that was the last time.”
“The last party of Before.”
“Exactly.”
I tell him I want to know if that girl—the one who was wearing the Sleater-Kinney T-shirt and (I remember now) flirting with Eric McCutcheon—is really all that different from who I am now.
“I have no idea,” Jasper says.
“Well, neither do I. Obviously.”
I realize something then: It’s been at least a few minutes since I’ve noticed where I am. Which sounds like such a small thing, but lately it’s been impossible. New York City disappeared, and I was inside the conversation.
“Remind me again,” I say, “how the two of us ended up on this bench?”
I want to stay up all night talking. I want to start at Battery Park and walk a ring around Manhattan. But I know he has to go. I don’t want to ask him to stay, because I don’t want him to feel bad for having to leave.
So I’m the one who says it. I’m the one who says it’s time to go. I’m the one who gets us up from the bench, who unwinds our words back to the subway, who pauses there for the moment of parting.
“This has been—” he says. Then stops.
We hug goodbye. I watch him go. And after he does, there’s that brutal loneliness, that final period at the end of all the sentences. Then I step into the street, and another sentence. The loneliness lifts a little. If we’d talked at Mitchell’s party, it would have never happened like this. Something opened us. And we needed to find each other open.
I unlock my front door. I walk up the stairs. I open our apartment door and tread lightly on the floorboards. I am home. I peek into my brother’s room to see him sleeping. I listen to hear if my mother is awake, and silently say good night when I don’t hear anything.
I go into my room. I imagine Jasper heading back on the subway. I change into my pajamas and turn off the light. I look at the window, the clock, the pillow.
I breathe it all in.
HOLD DEAR
(Part Four)
LOVE IS THE HIGHER LAW
Peter
The best concert of my life so far?
U2. Madison Square Garden. October 27, 2001.
And it’s not like U2 was my favorite band or anything. I thought “With or Without You” and “I Still Haven’t Found What I’m Looking For” were incredible, mind-twisting, truth-laid-bare songs. But other than that, Bono had never really reached me. When All That You Can’t Leave Behind came out in November 2000, I loved “Beautiful Day” and liked the rest of the album. But it was just an album. I appreciated it, but didn’t need it.
September changed that.
The song I latched onto most, the song that I would play ten times in a row because I needed to hear it all ten times, was “Walk On.” It was that unexpected, almost religious thing: the right song at the right time.
And it wasn’t because they were big rock stars. Instead it was the opposite of that. I think one of the reasons they’ve spoken to so many Americans right after 9/11 is because they know what we’re going through. They lived through Ireland in the ’70s and the ’80s. They know what it’s like to be bombed and threatened and afraid. They know what it’s like to walk on. They’re not just singing it.
Plus, it’s somehow more touching to have a band that isn’t American caring so much about us. We see Bono on the Tribute to Heroes concert, or touring around, and we know that people outside in the world care about us.
While I love “Walk On,” my friend Claire holds close to “Stuck in a Moment You Can’t Get Out Of”—
You’ve got to get yourself together
You’ve got stuck in a moment and you can’t get out of it
“That’s it, isn’t it?” Claire says as we head into the Garden. “That’s what it’s been like.”
“Walk On” and “Stuck in a Moment You Can’t Get Out Of.” One song for moving, one song for stasis. Both songs fitting the times.