Chunks of wood. Red cedar. Whittled.
It was agreed that Beauvoir would direct the search while Gamache returned to the Incident Room. At the car the two men talked.
“Which of them did it, do you think?” Beauvoir asked, handing the keys to Gamache. “Havoc could’ve followed Olivier and found the cabin. But it might’ve been Roar. He might’ve found the cabin when he was clearing the trail. Could’ve been the mother, of course. The murder didn’t take a lot of strength. Anger, yes, adrenaline, but not strength. Suppose Jakob stole from the Parra family back in Czechoslovakia then when he came here they recognized him. And he recognized them. So he took off into the woods and hid there.”
“Or perhaps Jakob and the Parras were in it together,” said Gamache. “Maybe all three convinced friends and neighbors in Czechoslovakia to give them their precious things, then disappeared with them.”
“And once here Jakob screwed his partners, taking off into the woods. But Roar found the cabin as he cut the trails.”
Gamache watched the search teams start their methodical work. Before long there wouldn’t be anything they didn’t know about the Parras.
He needed to gather his thoughts. He handed the car keys to Beauvoir. “I’ll walk.”
“Are you kidding?” asked Beauvoir, for whom walking was a punishment. “It’s miles.”
“It’ll do me good, clear my mind. I’ll see you back in Three Pines.” He set off down the dirt road, giving Beauvoir a final wave. A few wasps buzzed in the ripe autumn air but were no threat. They were fat and lazy, almost drunk on the nectar from apples and pears and grapes.
It felt a little as though the world was on the verge of rotting.
As Gamache strolled, the familiar scents and sounds receded and he was joined by John the Watchman, and Lavina who could fly, and the little boy across the aisle on Air Canada. Who also flew, and told stories.
This murder seemed to be about treasure. But Gamache knew it wasn’t. That was just the outward appearance. It was actually about something unseen. Murder always was.
This murder was about fear. And the lies it produced. But, more subtly, it was about stories. The tales people told the world, and told themselves. The Mythtime and the totems, that uneasy frontier between fable and fact. And the people who fell into the chasm. This murder was about the stories told by Jakob’s carvings. Of Chaos and the Furies, of a Mountain of Despair and Rage. Of betrayal. And something else. Something that horrified even the Mountain.
And at its heart there was, Gamache now knew, a brutal telling.