Arachne - Page 233/244

And he would not take what he intended to create solely from the world of reality perceptible to the senses. Oh, no! He desired to show through his art the loftiest of ideals. How could he still shrink from using the liberty which he had formerly rejected, the liberty of drawing from his own inner consciousness what he needed in order to bestow upon the ideal images he longed to create the grandeur, strength, and sublimity in which he beheld them rise before his purified soul!

Yet, with all this, he must remain faithful to truth, copy from Nature what he desired to represent. Every finger, every lock of hair, must correspond with reality to the minutest detail, and yet the whole must be pervaded and penetrated, as the blood flows through the body, by the thought that filled his mind and soul.

A reflected image of the ideal and of his own mood, faithful to truth, free, and yet obedient to the demands of moderation--in this sentence Hermon summed up the result of his solitary meditations upon art and works of art. Since he had found the gods again, he perceived that the Muse had confided to him a sacerdotal office. He intended to perform its duties, and not only attract and please the beholder's eyes through his works, but elevate his heart and mind, as beauty, truth, grandeur, and eternity uplifted his own soul. He recognised in the tireless creative power which keeps Nature ever new, fresh, and bewitching, the presence of the same deity whose rule manifested itself in the life of his own soul.

So long as he denied its existence, he had recognised no being more powerful than himself; now that he again felt insignificant beside it, he knew himself to be stronger than ever before, that the greatest of all powers had become his ally. Now it was difficult for him to understand how he could have turned away from the deity. As an artist he, too, was a creator, and, while he believed those who considered the universe had come into existence of itself, instead of having been created, he had robbed himself of the most sublime model. Besides, the greatest charm of his noble profession was lost to him. Now he knew it, and was striving toward the goal attainable by the artist alone among mortals--to hold intercourse with the deity, and by creations full of its essence elevate the world to its grandeur and beauty.

One day, at the end of the second month of his stay in the desert, when the Amalekite woman removed the bandage, her boy, whose form he distinguished as if through a veil, suddenly exclaimed: "The white cover on your eyes is melting! They are beginning to sparkle a little, and soon they will be perfectly well, and you can carve the lion's head on my cane."