Ethelyn's Mistake - Page 6/218

All this Richard Markham had said to Ethelyn as they stood for a few

minutes upon the beach of the pond, with its waters breaking softly upon

the sands at their feet, and the young spring moon shining down upon

them like Daisy's eyes, as the brother described them when they last

looked on him. There was a picture of Daisy in their best room at home,

an oil painting made by a traveling artist, Richard said, and some day

Ethelyn would see it, for she had promised to be his wife, and the

engagement ring--Daisy's ring--was on her finger, sparkling in the

moonbeam, just as it used to sparkle when the dead girl held it in the

light. It was a superb diamond--even Frank, with all his fastidiousness,

would admit that, Ethelyn thought, her mind more, alas! on Frank and his

opinion than on what her lover was saying to her, of his believing that

she was pure and good as Daisy could have desired, that Daisy would

approve his choice, if she only knew, as perhaps she did; he could not

help feeling that she was there with them, looking into their

hearts--that the silvery light resting so calmly on the silent water was

the halo of her invisible presence blessing their betrothal. This was a

good deal for Richard Markham to say, for he was not given to poetry, or

sentiment, or imagery, but Ethelyn's face and Ethelyn's eyes had played

strange antics with the staid, matter-of-fact man of Western Iowa, and

stirred his blood as it had never been stirred before. He did fancy his

angel-sister was there; but when he said so to Ethelyn she started with

a shiver, and asked to be driven home, for she did not care to have even

dead eyes looking into her heart, where the fires of passion were

surging and swelling, like some hidden volcano, struggling to be free.

She knew she was doing wrong--knew she was not the pure maiden whom

Daisy would have chosen--was not worthy to be the bride of Daisy's

brother; but she must do something or die, and as she did not care to

die, she pledged her hand with no heart in it, and hushing the voice of

conscience clamoring so loudly against what she was doing, walked back

across the yellow sand, beneath the spring moonlight, to where the

carriage waited, and, in comparative silence, was driven to Aunt

Barbara's gate.

This was the history of the ring, and here, as well as elsewhere, we may

tell Ethelyn's history up to the time when, on her bridal day, she sat

with Aunt Barbara at the breakfast table, idly playing with her spoon

and occasionally sipping the fragrant coffee. The child of Aunt

Barbara's half-sister, she inherited none of the so-called Bigelow

estate which had come to the two daughters, Aunt Barbara and Aunt

Sophia, from their mother's family. But the Bigelow blood of which Aunt

Sophy Van Buren was so proud was in her veins, and so to this aunt she

was an object of interest, and even value, though not enough so to

warrant that lady in taking her for her own when, eighteen years before

our story opens, her mother, Mrs. Julia Bigelow Grant, had died. This

task devolved on Aunt Barbara, whose great motherly heart opened at once

to the little orphan who had never felt a mother's loss, so faithful and

true had Aunt Barbara been to her trust. Partly because she did not wish

to seem more selfish than her sister, and partly because she really

liked the bright, handsome child who made Aunt Barbara's home so cheery,

Mrs. Dr. Van Buren of Boston, insisted upon superintending the little

Ethelyn's education, and so, when only twelve years of age, Ethelyn was

taken from the old brick house under the elms, which Mrs. Dr. Van Buren

of Boston despised as the "district school where Tom, Dick, and Harry

congregated," and transplanted to the highly select and very expensive

school taught by Madame--, in plain sight of Beacon Street and Boston

Common. And so, as Ethelyn increased in stature, she grew also in wisdom

and knowledge, both of books and manners, and the style of the great

world around her. Mrs. Dr. Van Buren's house was the resort both of the

fashionable and literary people, with a sprinkling of the religious, for

the great lady affected everything which could effect her interest.

Naturally generous, her name was conspicuous on all subscription lists

and charitable associations, while the lady herself owned a pew in----

Church, where she was a regular attendant, together with her only son,

Frank, who was taught to kneel and respond in the right places and bow

in the creed, and then, after church, required to give a synopsis of the

sermon, by way of proving that his mind had not been running off after

the dancing school he attended during the week, under his mother's

watchful supervision. Mrs. Van Buren meant to be a model mother, and

bring up her boy as a model man, and so she gave him every possible

advantage of books and teachers, while far in the future floated the

possibility that she might some day reign at the White House, not as the

President's wife--this could not be, she knew, for the man who had made

her Mrs. Dr. Van Buren of Boston slept in the shadow of a very tall

monument out at Mount Auburn, and the turf was growing fresh and green

over his head. So if she went to Washington, as she fondly hoped she

might, it would be as the President's mother; but when examination after

examination found Frank at the foot of his class, and teacher after

teacher said he could not learn, she gave up the presidential chair, and

contenting herself with a seat in Congress, asked that great pains

should be taken to bring out the talent for debate and speech-making

which she was sure Frank possessed; but when even this failed, and

nineteen times out of twenty Frank could get no farther than "My name

is Norval, on the Grampian Hills," she yielded the M.C. too, and set

herself to make him a gentleman, polished, refined, and cultivated--one,

in short, who was au fait with all that fashionable society required;

and here she succeeded better. Frank was perfectly at home on the

dancing floor or in the saloons of gaiety, or the establishment of a

fashionable tailor, so that when Ethelyn, at twelve, went down to

Boston, she found her tall, slender, light-haired cousin of sixteen a

perfect dandy, with a capability and a disposition to criticise and

laugh at whatever there was of gaucherie in her country manners and

country dress. In some things the two were of mutual benefit to each

other. Ethelyn, who could conquer any lesson however difficult, helped

thick-headed, indolent Frank in his studies, translating his hard

passages in Virgil, working out his problems in mathematics, and even

writing, or at least revising and correcting, his compositions, while he

in return gave her lessons in etiquette as practiced by the Boston

girls, teaching her how to polka a waltz gracefully, so he would not be

ashamed to introduce her as his cousin, he said, at the children's

parties which they attended together. It was not strange that Frank Van

Buren should admire a girl as bright and piquant and pretty as his

cousin Ethelyn, but it was strange that she should idolize him, bearing

patiently with all his criticisms, trying hard to please him, and

feeling more than repaid for her exertions by a word of praise or

commendation from her exacting teacher, who, viewing her at first as a

poor relation, was inclined to be exacting, if not overbearing, in his

demands. But as time passed on all this was changed, and the

well-developed girl of fifteen, whom so many noticed and admired, would

no longer be patronized by the young man Frank, who, finding himself in

danger of being snubbed, as he termed Ethelyn's grand way of putting him

down, suddenly awoke to the fact that he loved his high-spirited cousin,

and he told her so one hazy day, when they were in Chicopee, and had

wandered up to a ledge of rocks in the huckleberry hills which

overlooked the town.