The Marble Faun Volume 2 - Page 82/157

Rome has a certain species of consolation readier at hand, for all the

necessitous, than any other spot under the sun; and Hilda's despondent

state made her peculiarly liable to the peril, if peril it can justly be

termed, of seeking, or consenting, to be thus consoled.

Had the Jesuits known the situation of this troubled heart, her

inheritance of New England Puritanism would hardly have protected the

poor girl from the pious strategy of those good fathers. Knowing, as

they do, how to work each proper engine, it would have been ultimately

impossible for Hilda to resist the attractions of a faith, which so

marvellously adapts itself to every human need. Not, indeed, that it can

satisfy the soul's cravings, but, at least, it can sometimes help

the soul towards a higher satisfaction than the faith contains within

itself. It supplies a multitude of external forms, in which the

spiritual may be clothed and manifested; it has many painted windows,

as it were, through which the celestial sunshine, else disregarded, may

make itself gloriously perceptible in visions of beauty and splendor.

There is no one want or weakness of human nature for which Catholicism

will own itself without a remedy; cordials, certainly, it possesses in

abundance, and sedatives in inexhaustible variety, and what may once

have been genuine medicaments, though a little the worse for long

keeping.

To do it justice, Catholicism is such a miracle of fitness for its

own ends, many of which might seem to be admirable ones, that it is

difficult to imagine it a contrivance of mere man. Its mighty machinery

was forged and put together, not on middle earth, but either above

or below. If there were but angels to work it, instead of the very

different class of engineers who now manage its cranks and safety

valves, the system would soon vindicate the dignity and holiness of its

origin.

Hilda had heretofore made many pilgrimages among the churches of Rome,

for the sake of wondering at their gorgeousness. Without a glimpse at

these palaces of worship, it is impossible to imagine the magnificence

of the religion that reared them. Many of them shine with burnished

gold. They glow with pictures. Their walls, columns, and arches seem a

quarry of precious stones, so beautiful and costly are the marbles

with which they are inlaid. Their pavements are often a mosaic, of rare

workmanship. Around their lofty cornices hover flights of sculptured

angels; and within the vault of the ceiling and the swelling interior

of the dome, there are frescos of such brilliancy, and wrought with so

artful a perspective, that the sky, peopled with sainted forms, appears

to be opened only a little way above the spectator. Then there are

chapels, opening from the side aisles and transepts, decorated by

princes for their own burial places, and as shrines for their especial

saints. In these, the splendor of the entire edifice is intensified

and gathered to a focus. Unless words were gems, that would flame with

many-colored light upon the page, and throw thence a tremulous glimmer

into the reader's eyes, it were wain to attempt a description of a

princely chapel.