Forsythe, up behind the piano, whispered to her that it was time to begin. The house was full. There was not room for another soul. Margaret explained that Fiddling Boss had not yet arrived, and caught a glimpse of the cunning designs of Forsythe in the shifty turning away of his eyes as he answered that they could not wait all night for him; that if he wanted to get into it he ought to have come early. But even as she turned away she saw the little, bobbing, eager faces of Pop and Mom Wallis away back by the door, and the grim, towering figure of the Boss, his fiddle held high, making his way to the front amid the crowd.
She sat down and touched the keys, her eyes watching eagerly for a chance to speak to the Boss and see if he knew anything of Gardley; but Forsythe was close beside her all the time, and there was no opportunity. She struck the opening chords of the overture they were to attempt to play, and somehow got through it. Of course, the audience was not a critical one, and there were few real judges of music present; but it may be that the truly wonderful effect she produced upon the listeners was due to the fact that she was playing a prayer with her heart as her fingers touched the keys, and that instead of a preliminary to a fairy revel the music told the story of a great soul struggle, and reached hearts as it tinkled and rolled and swelled on to the end. It may be, too, that Fiddling Boss was more in sympathy that night with his accompanist than was the other violinist, and that was why his old fiddle brought forth such weird and tender tones.
Almost to the end, with her heart sobbing its trouble to the keys, Margaret looked up sadly, and there, straight before her through a hole in the curtain made by some rash youth to glimpse the audience, or perhaps even put there by the owner of the nose itself, she saw the little, freckled, turned-up member belonging to Bud's face. A second more and a big, bright eye appeared and solemnly winked at her twice, as if to say, "Don't you worry; it's all right!"
She almost started from the stool, but kept her head enough to finish the chords, and as they died away she heard a hoarse whisper in Bud's familiar voice: "Whoop her up, Miss Earle. We're all ready. Raise the curtain there, you guy. Let her rip. Everything's O. K."