The Man From The Bitter Roots - Page 51/191

But the Hinds House continued to be, as it always had been, the social centre, the news bureau, the scene where large deals were constantly being conceived and promulgated--although they got no further. Each inhabitant of Ore City had his set time for arriving and departing, and he abided as closely by his schedule as though he kept office hours.

There was a generous box of saw-dust near the round sheet-iron stove which set in the middle of the office, and there were many straight-backed wooden chairs whose legs were steadied with baling wire and whose seats had been highly polished by the overalls of countless embryo mining magnates. On one side of the room was a small pine table where Old Man Hinds walloped himself at solitaire, and on the other side of the room was a larger table, felt-covered, kept sacred to the games of piute and poker, where as much as three dollars sometimes changed hands in a single night.

At the extreme end of the long office was a plush barber chair, and a row of gilt mugs beneath a gilt mirror gave the place a metropolitan air, although there was little doing in winter when whiskers and long hair became assets.

Selected samples of ore laid in rows on the window-sills; there were neat piles heaped in the corners, along the walls, and on every shelf, while the cabinet-organ, of Jersey manufacture, with its ornamental rows of false stops and keys, which was the distinguishing feature of the office, had "spec'mins" on the bristling array of stands which stood out from it in unexpected places like wooden stalagmites.

The cabinet-organ setting "catty-cornered" beside the roller-towel indicated the presence of womankind, and it indicated correctly, for out in the kitchen was Mrs. Alonzo Snow, and elsewhere about the hotel were her two lovely daughters, the Misses Violet and Rosie Snow,--facetiously known as "the Snowbirds."

Second to the stove in the office, the Snow family was the attraction in the Hinds House, for the entertainment they frequently furnished was as free as the wood that the habitués fed so liberally to the sheet-iron stove.

A psychological writer has asserted that when an extremely sensitive person meets for the first time one who is to figure prominently in his life, he experiences an inward tremor. Whether it was that Old Man Hinds was not sufficiently sensitive or was too busy at the time to be cognizant of inward tremors, the fact is he was not conscious of any such sensation when the "Musical Snows" alighted stiffly from the Beaver Creek stage; yet they were to fill not only his best rooms but his whole horizon.