St. Elmo - Page 251/379

"Here are my keys, Mrs. Andrews; examine my wardrobe and select what you consider appropriate for to-night."

"On condition that you permit me to supply any deficiencies which I may discover? Come to my room at six o'clock, and let Victorine dress your hair. Let me see, I expect a la Grec will best suit your head and face."

Edna turned to her pupils and their books, but all day the flowers in the vase on the table prattled of days gone by; of purple sunsets streaming through golden starred acacia boughs; of long, languid, luxurious Southern afternoons dying slowly on beds of heliotrope and jasmine, spicy geraniums and gorgeous pelargoniums; of dewy, delicious summer mornings, for ever and ever past, when standing beside a quivering snowbank of Lamarque roses, she had watched Tamerlane and his gloomy rider go down the shadowy avenue of elms.

The monotonous hum of the children's voices seemed thin and strange and far, far off, jarring the sweet bouquet babble; and still as the hours passed, and the winter day waned, the flower Fugue swelled on and on, through the cold and dreary chambers of her heart; now rising stormy and passionate, like a battle-blast, from the deep orange trumpet of a bignonia; and now whispering and sobbing and pleading, from the pearly white lips of hallowed oxalis.

When she sat that night in Mr. Manning's box at the Academy of Music, the editor raised his opera-glass, swept the crowded house, scanning the lovely, beaming faces wreathed with smiles, and then his grave, piercing glance came back and dwelt on the countenance at his side. The cherry silk lining and puffing on her opera-cloak threw a delicate stain of color over her exquisitely moulded cheeks, and in the braid of black hair which rested like a coronal on her polished brow, burned a scarlet anemone. Her long lashes drooped as she looked down at the bouquet between her fingers, and listening to the Fugue which memory played on the petals, she sighed involuntarily.

"Miss Earl, is this your first night at the opera?"

"No, sir; I was here once before with Mr. Andrews and his children."

"I judge from your writings that you are particularly fond of music."

"Yes, sir; I think few persons love it better than I do."

"What style do you prefer?"

"Sacred music--oratorios rather than operas."

The orchestra began an overture of Verdi's, and Edna's eyes went back to her flowers.

Presently Mrs. Andrews said eagerly: "Look, Miss Earl! Yonder, in the box directly opposite, is the celebrated Sir Roger Percival, the English nobleman about whom all Gotham is running mad. If he has not more sense than most men of his age, his head will be completely turned by the flattery heaped upon him. What a commentary on Republican Americans, that we are so dazzled by the glitter of a title! However, he really is very agreeable; I have met him several times, dined with him last week at the Coltons. He has been watching us for some minutes. Ah! there is a bow for me; and one I presume for you, Mr. Manning."