The Professor - Page 84/188

A professor does not meet his pupil to see her dressed in satin and muslin, with hair perfumed and curled, neck scarcely shaded by aerial lace, round white arms circled with bracelets, feet dressed for the gliding dance. It is not his business to whirl her through the waltz, to feed her with compliments, to heighten her beauty by the flush of gratified vanity. Neither does he encounter her on the smooth-rolled, tree shaded Boulevard, in the green and sunny park, whither she repairs clad in her becoming walking dress, her scarf thrown with grace over her shoulders, her little bonnet scarcely screening her curls, the red rose under its brim adding a new tint to the softer rose on her cheek; her face and eyes, too, illumined with smiles, perhaps as transient as the sunshine of the gala-day, but also quite as brilliant; it is not his office to walk by her side, to listen to her lively chat, to carry her parasol, scarcely larger than a broad green leaf, to lead in a ribbon her Blenheim spaniel or Italian greyhound. No: he finds her in the schoolroom, plainly dressed, with books before her. Owing to her education or her nature books are to her a nuisance, and she opens them with aversion, yet her teacher must instil into her mind the contents of these books; that mind resists the admission of grave information, it recoils, it grows restive, sullen tempers are shown, disfiguring frowns spoil the symmetry of the face, sometimes coarse gestures banish grace from the deportment, while muttered expressions, redolent of native and ineradicable vulgarity, desecrate the sweetness of the voice. Where the temperament is serene though the intellect be sluggish, an unconquerable dullness opposes every effort to instruct. Where there is cunning but not energy, dissimulation, falsehood, a thousand schemes and tricks are put in play to evade the necessity of application; in short, to the tutor, female youth, female charms are like tapestry hangings, of which the wrong side is continually turned towards him; and even when he sees the smooth, neat external surface he so well knows what knots, long stitches, and jagged ends are behind that he has scarce a temptation to admire too fondly the seemly forms and bright colours exposed to general view.

Our likings are regulated by our circumstances. The artist prefers a hilly country because it is picturesque; the engineer a flat one because it is convenient; the man of pleasure likes what he calls "a fine woman"--she suits him; the fashionable young gentleman admires the fashionable young lady--she is of his kind; the toil-worn, fagged, probably irritable tutor, blind almost to beauty, insensible to airs and graces, glories chiefly in certain mental qualities: application, love of knowledge, natural capacity, docility, truthfulness, gratefulness, are the charms that attract his notice and win his regard. These he seeks, but seldom meets; these, if by chance he finds, he would fain retain for ever, and when separation deprives him of them he feels as if some ruthless hand had snatched from him his only ewe-lamb. Such being the case, and the case it is, my readers will agree with me that there was nothing either very meritorious or very marvellous in the integrity and moderation of my conduct at Mdlle. Reuter's pensionnat de demoiselles.