The Awakening of Helena Richie - Page 71/229

When Dr. Lavendar left David at the Stuffed Animal House, he didn't

feel, somehow, like going home; the Rectory would be so quiet. It

occurred to him that, as he was on the hill, he might as well look in

on Benjamin Wright.

He found the old gentleman in his beaver hat and green serge dressing-

gown, tottering up and down the weedy driveway in front of his

veranda, and repeating poetry.

"O great corrector of enormous times, Shaker of o'er rank states, thou

grand decider Of dusty and old titles, that healest with blood--Hello!

'Bout time you came to see me. I suppose you want to get some money

out of me for something?"

"Of course; I always want money out of somebody for something. There's

a leak in the vestry roof. How are you?"

"How do you suppose I am? At eighty-one, with one foot in the grave!

Ready to jump over a five-barred gate?"

"I'm seventy-two," said Dr. Lavendar, "and I played marbles

yesterday."

"Come in and have a smoke," the older man said, hobbling on to the

veranda, where four great white columns, blistered and flaked by time,

supported a roof that darkened the shuttered windows of the second

story.

He led the way indoors to the dining-room, growling that his nigger,

Simmons, was a fool. "He says he closes the shutters to keep the

flies out; makes the room as dark as a pocket, and there ain't any

flies this time of year, anyhow. He does it to stop my birds from

singing; he can't fool me! To stop my birds!" He went over to one of

the windows and pushed the shutters open with a clatter; instantly a

twitter ran from cage to cage, and the fierce melancholy of his old

face softened. "Hear that?" he said proudly.

"I ought to come oftener," Dr. Lavendar reproached himself; "he's

lonely."

And, indeed, the room with its mammoth sideboard black with age and

its solitary chair at one end of the long table, was lonely enough. On

the walls, papered a generation ago with a drab paper sprinkled over

with occasional pale gilt medallions, were some time-stained

engravings: "The Destruction of Nineveh"; "The Trial of Effie Deans";

"The Death-bed of Washington." A gloomy room at best; now, with the

shutters of one window still bowed, and the faint twitter of the

canaries, and that one chair at the head of the table, it was very

melancholy.

"Sit down!" said Benjamin Wright. Still in his moth-eaten high hat, he

shuffled about to fetch from the sideboard a fat decanter with a

silver chain and label around its neck, and two tumblers.