Room! room! for my horse will wince
If he comes within so many yards of a prince;
For to tell you true, and in rhyme,
He was foal'd in Queen Elizabeth's time;
When the great Earl of Lester
In his castle did feast her.
--BEN JONSON, MASQUE OF OWLS.
The amusement with which Elizabeth and her court were next day to be
regaled was an exhibition by the true-hearted men of Coventry, who were
to represent the strife between the English and the Danes, agreeably
to a custom long preserved in their ancient borough, and warranted for
truth by old histories and chronicles. In this pageant one party of the
townsfolk presented the Saxons and the other the Danes, and set forth,
both in rude rhymes and with hard blows, the contentions of these two
fierce nations, and the Amazonian courage of the English women, who,
according to the story, were the principal agents in the general
massacre of the Danes, which took place at Hocktide, in the year of God
1012. This sport, which had been long a favourite pastime with the
men of Coventry, had, it seems, been put down by the influence of
some zealous clergymen of the more precise cast, who chanced to have
considerable influence with the magistrates. But the generality of the
inhabitants had petitioned the Queen that they might have their play
again, and be honoured with permission to represent it before her
Highness. And when the matter was canvassed in the little council which
usually attended the Queen for dispatch of business, the proposal,
although opposed by some of the stricter sort, found favour in the eyes
of Elizabeth, who said that such toys occupied, without offence, the
minds of many who, lacking them, might find worse subjects of pastime;
and that their pastors, however commendable for learning and godliness,
were somewhat too sour in preaching against the pastimes of their flocks
and so the pageant was permitted to proceed.
Accordingly, after a morning repast, which Master Laneham calls an
ambrosial breakfast, the principal persons of the court in attendance
upon her Majesty pressed to the Gallery-tower, to witness the approach
of the two contending parties of English and Danes; and after a signal
had been given, the gate which opened in the circuit of the Chase was
thrown wide to admit them. On they came, foot and horse; for some of
the more ambitious burghers and yeomen had put themselves into fantastic
dresses, imitating knights, in order to resemble the chivalry of the two
different nations. However, to prevent fatal accidents, they were not
permitted to appear on real horses, but had only license to accoutre
themselves with those hobby-horses, as they are called, which anciently
formed the chief delight of a morrice-dance, and which still are
exhibited on the stage, in the grand battle fought at the conclusion
of Mr. Bayes's tragedy. The infantry followed in similar disguises.
The whole exhibition was to be considered as a sort of anti-masque, or
burlesque of the more stately pageants in which the nobility and gentry
bore part in the show, and, to the best of their knowledge, imitated
with accuracy the personages whom they represented. The Hocktide play
was of a different character, the actors being persons of inferior
degree, and their habits the better fitted for the occasion, the more
incongruous and ridiculous that they were in themselves. Accordingly
their array, which the progress of our tale allows us no time to
describe, was ludicrous enough; and their weapons, though sufficiently
formidable to deal sound blows, were long alder-poles instead of lances,
and sound cudgels for swords; and for fence, both cavalry and infantry
were well equipped with stout headpieces and targets, both made of thick
leather.