But when the time came to return to my first draft of a play, the tale
of love was the only thing to consider, and being now on the point of
producing the drama in England, America, and elsewhere, and requested to
prepare an edition of my story for the use of the audiences at the
theatre, I have thought myself justified in eliminating the politics and
religion from my book, leaving nothing but the human interests with
which alone the drama is allowed to deal. This has not been an easy
thing to do, and now that it is done I am by no means sure that I may
not have alienated the friends whom the abstract problems won for me
without conciliating the readers who called for the story only. But not
to turn my back on the work of three laborious years, or to discredit
that part of it which expressed, however imperfectly, my sympathy with
the struggles of the poor, and my participation in the social problems
with which the world is now astir, I have obtained the promise of my
publisher that the original version of "The Eternal City" shall be kept
in print as long as the public calls for it.
In this form of my book, the aim has been to rely solely on the
humanities and to go back to the simple story of the woman who denounced
her husband in order to save his life. That was the theme of the draft
which was the original basis of my novel, it is the central incident of
the drama which is about to be produced in New York, and the present
abbreviated version of the story is intended to follow the lines of the
play in all essential particulars down to the end of the last chapter
but one. H. C.
Isle of Man, Sept. 1902.