He was waiting to be fed, looking sideways through the bars that he
might see the further down the stairs, with much of the expression of
a wild beast in similar expectation. But his eyes, too close together,
were not so nobly set in his head as those of the king of beasts are in
his, and they were sharp rather than bright--pointed weapons with little
surface to betray them. They had no depth or change; they glittered,
and they opened and shut. So far, and waiving their use to himself, a
clockmaker could have made a better pair. He had a hook nose, handsome
after its kind, but too high between the eyes by probably just as much
as his eyes were too near to one another. For the rest, he was large and
tall in frame, had thin lips, where his thick moustache showed them at
all, and a quantity of dry hair, of no definable colour, in its shaggy
state, but shot with red.
The hand with which he held the grating
(seamed all over the back with ugly scratches newly healed), was
unusually small and plump; would have been unusually white but for the
prison grime. The other man was lying on the stone floor, covered with a
coarse brown coat. 'Get up, pig!' growled the first
. 'Don't sleep when I am hungry.'
'It's all one, master,' said the pig, in a submissive manner, and not
without cheerfulness; 'I can wake when I will, I can sleep when I will.
It's all the same.' As he said it, he rose, shook himself, scratched himself, tied his brown
coat loosely round his neck by the sleeves (he had previously used it
as a coverlet), and sat down upon the pavement yawning, with his back
against the wall opposite to the grating. '
Say what the hour is,' grumbled the first man.
'The mid-day bells will ring--in forty minutes.' When he made the
little pause, he had looked round the prison-room, as if for certain
information. 'You are a clock. How is it that you always know?'
'How can I say? I always know what the hour is, and where I am. I was
brought in here at night, and out of a boat, but I know where I am. See
here! Marseilles harbour;' on his knees on the pavement, mapping it all
out with a swarthy forefinger; 'Toulon (where the galleys are), Spain
over there, Algiers over there. Creeping away to the left here, Nice.
Round by the Cornice to Genoa. Genoa Mole and Harbour. Quarantine
Ground. City there; terrace gardens blushing with the bella donna. Here,
Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia, so away
to--hey! there's no room for Naples;' he had got to the wall by this
time; 'but it's all one; it's in there!'