A Laodicean - Page 5/303

It is an old story, and perhaps only deserves the light tone in which the soaring of a young man into the empyrean, and his descent again, is always narrated. But as has often been said, the light and the truth may be on the side of the dreamer: a far wider view than the wise ones have may be his at that recalcitrant time, and his reduction to common measure be nothing less than a tragic event. The operation called lunging, in which a haltered colt is made to trot round and round a horsebreaker who holds the rope, till the beholder grows dizzy in looking at them, is a very unhappy one for the animal concerned. During its progress the colt springs upward, across the circle, stops, flies over the turf with the velocity of a bird, and indulges in all sorts of graceful antics; but he always ends in one way--thanks to the knotted whipcord--in a level trot round the lunger with the regularity of a horizontal wheel, and in the loss for ever to his character of the bold contours which the fine hand of Nature gave it. Yet the process is considered to be the making of him.

Whether Somerset became permanently made under the action of the inevitable lunge, or whether he lapsed into mere dabbling with the artistic side of his profession only, it would be premature to say; but at any rate it was his contrite return to architecture as a calling that sent him on the sketching excursion under notice. Feeling that something still was wanting to round off his knowledge before he could take his professional line with confidence, he was led to remember that his own native Gothic was the one form of design that he had totally neglected from the beginning, through its having greeted him with wearisome iteration at the opening of his career. Now it had again returned to silence; indeed--such is the surprising instability of art 'principles' as they are facetiously called--it was just as likely as not to sink into the neglect and oblivion which had been its lot in Georgian times. This accident of being out of vogue lent English Gothic an additional charm to one of his proclivities; and away he went to make it the business of a summer circuit in the west.

The quiet time of evening, the secluded neighbourhood, the unusually gorgeous liveries of the clouds packed in a pile over that quarter of the heavens in which the sun had disappeared, were such as to make a traveller loiter on his walk. Coming to a stile, Somerset mounted himself on the top bar, to imbibe the spirit of the scene and hour. The evening was so still that every trifling sound could be heard for miles. There was the rattle of a returning waggon, mixed with the smacks of the waggoner's whip: the team must have been at least three miles off. From far over the hill came the faint periodic yell of kennelled hounds; while from the nearest village resounded the voices of boys at play in the twilight. Then a powerful clock struck the hour; it was not from the direction of the church, but rather from the wood behind him; and he thought it must be the clock of some mansion that way.