But now the moment approached for the performance to commence. M. Paul, setting us before him, harangued us briefly, like a general addressing soldiers about to charge. I don't know what he said, except that he recommended each to penetrate herself with a sense of her personal insignificance. God knows I thought this advice superfluous for some of us. A bell tinkled. I and two more were ushered on to the stage. The bell tinkled again. I had to speak the very first words.
"Do not look at the crowd, nor think of it," whispered M. Paul in my ear. "Imagine yourself in the garret, acting to the rats."
He vanished. The curtain drew up--shrivelled to the ceiling: the bright lights, the long room, the gay throng, burst upon us. I thought of the black-beetles, the old boxes, the worm-eaten bureau. I said my say badly; but I said it. That first speech was the difficulty; it revealed to me this fact, that it was not the crowd I feared so much as my own voice. Foreigners and strangers, the crowd were nothing to me. Nor did I think of them. When my tongue once got free, and my voice took its true pitch, and found its natural tone, I thought of nothing but the personage I represented--and of M. Paul, who was listening, watching, prompting in the side-scenes.
By-and-by, feeling the right power come--the spring demanded gush and rise inwardly--I became sufficiently composed to notice my fellow- actors. Some of them played very well; especially Ginevra Fanshawe, who had to coquette between two suitors, and managed admirably: in fact she was in her element. I observed that she once or twice threw a certain marked fondness and pointed partiality into her manner towards me--the fop. With such emphasis and animation did she favour me, such glances did she dart out into the listening and applauding crowd, that to me--who knew her--it presently became evident she was acting at some one; and I followed her eye, her smile, her gesture, and ere long discovered that she had at least singled out a handsome and distinguished aim for her shafts; full in the path of those arrows--taller than other spectators, and therefore more sure to receive them--stood, in attitude quiet but intent, a well-known form-- that of Dr. John.
The spectacle seemed somehow suggestive. There was language in Dr. John's look, though I cannot tell what he said; it animated me: I drew out of it a history; I put my idea into the part I per formed; I threw it into my wooing of Ginevra. In the "Ours," or sincere lover, I saw Dr. John. Did I pity him, as erst? No, I hardened my heart, rivalled and out-rivalled him. I knew myself but a fop, but where he was outcast I could please. Now I know acted as if wishful and resolute to win and conquer. Ginevra seconded me; between us we half- changed the nature of the rôle, gilding it from top to toe. Between the acts M. Paul, told us he knew not what possessed us, and half expostulated. "C'est peut-être plus beau que votre modèle," said he, "mais ce n'est pas juste." I know not what possessed me either; but somehow, my longing was to eclipse the "Ours," i.e., Dr. John. Ginevra was tender; how could I be otherwise than chivalric? Retaining the letter, I recklessly altered the spirit of the rôle. Without heart, without interest, I could not play it at all. It must be played--in went the yearned-for seasoning--thus favoured, I played it with relish.