The Magnificent Montez - Page 44/177

If she did go from Paris to Russia, Lola did not waste her time there, for, she says, she "nearly married Prince Schulkoski," whom she had already met in Berlin. This, she adds, was "one of the romances of her life." But something went wrong with it, for the princely wooer, "while furiously telegraphing kisses three times a day," was discovered to be enjoying the companionship of another charmer. Lola could put up with a great deal. There were, however, limits to her toleration, and this was one of them. First, Tom James; then, George Lennox; and now Prince Schulkoski. Masculine promises were no more substantial than pie-crust. Poor Lola was having a sad awakening. It is not remarkable that she formed the conclusion that men were "deceivers ever." After such an experience, nothing else was possible.

Among other items in her repertoire of alleged happenings in Russia at this period was one that certainly takes a good deal of swallowing. This was that, while having a "private audience" with the Czar himself and Count Benkendorf (the Chief of the Secret Police), an important visitor was announced. Thereupon, and to avoid her presence being known to the newcomer, she was locked up in a cupboard and left there for several hours. When the Czar came back, he was "full of apologies and insisted that she should accept from him a gift of a thousand roubles."

Other details follow: "A great magnate conquers her at St. Petersburg; Grand Dukes perform their tricks; and Circassian Princes die for her. But soon she has enough of caviare and vodka. What, she wonders, is the good of becoming fuddled with drunkards and wasting valuable time on half-civilized Asiatics?"

No good at all, was Lola's decision. Accordingly, she bade farewell to Russian hospitality, and, relinquishing all prospects of wearing the Muscovite diadem, returned to Paris and Dujarier. Her lover's influence secured her an engagement in La Biche au Bois at the Porte St. Martin Theatre; but, as had happened at the Académie Royale, she was a "flop." The critics said so with no uncertain voice; and the manager announced that he agreed with them. Clearly, then, the ballet was not her métier.

"Well, dancing isn't everything," said Lola, who always took a reverse in philosophical fashion.