Tom was standing in the centre of the room, pensively relighting a cigar-stub. Amory fancied he looked rather relieved on seeing him.
"Had a hell of a dream about you last night," came in the cracked voice through the cigar smoke. "I had an idea you were in some trouble."
"Don't tell me about it!" Amory almost shrieked. "Don't say a word; I'm tired and pepped out."
Tom looked at him queerly and then sank into a chair and opened his Italian note-book. Amory threw his coat and hat on the floor, loosened his collar, and took a Wells novel at random from the shelf. "Wells is sane," he thought, "and if he won't do I'll read Rupert Brooke."
Half an hour passed. Outside the wind came up, and Amory started as the wet branches moved and clawed with their finger-nails at the window-pane. Tom was deep in his work, and inside the room only the occasional scratch of a match or the rustle of leather as they shifted in their chairs broke the stillness. Then like a zigzag of lightning came the change. Amory sat bolt upright, frozen cold in his chair. Tom was looking at him with his mouth drooping, eyes fixed.
"God help us!" Amory cried.
"Oh, my heavens!" shouted Tom, "look behind!" Quick as a flash Amory whirled around. He saw nothing but the dark window-pane. "It's gone now," came Tom's voice after a second in a still terror. "Something was looking at you."
Trembling violently, Amory dropped into his chair again.
"I've got to tell you," he said. "I've had one hell of an experience. I think I've--I've seen the devil or--something like him. What face did you just see?--or no," he added quickly, "don't tell me!"
And he gave Tom the story. It was midnight when he finished, and after that, with all lights burning, two sleepy, shivering boys read to each other from "The New Machiavelli," until dawn came up out of Witherspoon Hall, and the Princetonian fell against the door, and the May birds hailed the sun on last night's rain.