"First chop! tremendously pretty too," said the elegant Grecian, who had been paying her assiduous attention; "I never saw her look better."
Perhaps she had never looked so well. Her face was beaming with young pleasure in which there was no malign rays of discontent; for being satisfied with her own chances, she felt kindly toward everybody and was satisfied with the universe. Not to have the highest distinction in rank, not to be marked out as an heiress, like Miss Arrowpoint, gave an added triumph in eclipsing those advantages. For personal recommendation she would not have cared to change the family group accompanying her for any other: her mamma's appearance would have suited an amiable duchess; her uncle and aunt Gascoigne with Anna made equally gratifying figures in their way; and Gwendolen was too full of joyous belief in herself to feel in the least jealous though Miss Arrowpoint was one of the best archeresses.
Even the reappearance of the formidable Herr Klesmer, which caused some surprise in the rest of the company, seemed only to fall in with Gwendolen's inclination to be amused. Short of Apollo himself, what great musical maestro could make a good figure at an archery meeting? There was a very satirical light in Gwendolen's eyes as she looked toward the Arrowpoint party on their first entrance, when the contrast between Klesmer and the average group of English country people seemed at its utmost intensity in the close neighborhood of his hosts--or patrons, as Mrs. Arrowpoint would have liked to hear them called, that she might deny the possibility of any longer patronizing genius, its royalty being universally acknowledged. The contrast might have amused a graver personage than Gwendolen. We English are a miscellaneous people, and any chance fifty of us will present many varieties of animal architecture or facial ornament; but it must be admitted that our prevailing expression is not that of a lively, impassioned race, preoccupied with the ideal and carrying the real as a mere make-weight. The strong point of the English gentleman pure is the easy style of his figure and clothing; he objects to marked ins and outs in his costume, and he also objects to looking inspired.
Fancy an assemblage where the men had all that ordinary stamp of the well- bred Englishman, watching the entrance of Herr Klesmer--his mane of hair floating backward in massive inconsistency with the chimney-pot hat, which had the look of having been put on for a joke above his pronounced but well-modeled features and powerful clear-shaven mouth and chin; his tall, thin figure clad in a way which, not being strictly English, was all the worse for its apparent emphasis of intention. Draped in a loose garment with a Florentine berretta on his head, he would have been fit to stand by the side of Leonardo de Vinci; but how when he presented himself in trousers which were not what English feeling demanded about the knees?-- and when the fire that showed itself in his glances and the movements of his head, as he looked round him with curiosity, was turned into comedy by a hat which ruled that mankind should have well-cropped hair and a staid demeanor, such, for example, as Mr. Arrowsmith's, whose nullity of face and perfect tailoring might pass everywhere without ridicule? One feels why it is often better for greatness to be dead, and to have got rid of the outward man.