A moment later Muriel appeared in a state of elaborate undress and _crept_ toward them. She was in her element: her ebony hair was slicked straight back on her head; her eyes were artificially darkened; she reeked of insistent perfume. She was got up to the best of her ability as a siren, more popularly a "vamp"--a picker up and thrower away of men, an unscrupulous and fundamentally unmoved toyer with affections. Something in the exhaustiveness of her attempt fascinated Maury at first sight--a woman with wide hips affecting a panther-like litheness! As they waited the extra three minutes for Gloria, and, by polite assumption, for Rachael, he was unable to take his eyes from her. She would turn her head away, lowering her eyelashes and biting her nether lip in an amazing exhibition of coyness. She would rest her hands on her hips and sway from side to side in tune to the music, saying: "Did you ever hear such perfect ragtime? I just can't make my shoulders behave when I hear that."
Mr. Bloeckman clapped his hands gallantly.
"You ought to be on the stage."
"I'd like to be!" cried Muriel; "will you back me?"
"I sure will."
With becoming modesty Muriel ceased her motions and turned to Maury, asking what he had "seen" this year. He interpreted this as referring to the dramatic world, and they had a gay and exhilarating exchange of titles, after this manner: MURIEL: Have you seen "Peg o' My Heart"?
MAURY: No, I haven't.
MURIEL: (Eagerly) It's wonderful! You want to see it.
MAURY: Have you seen "Omar, the Tentmaker"?
MURIEL: No, but I hear it's wonderful. I'm very anxious to see it. Have you seen "Fair and Warmer"?
MAURY: (Hopefully) Yes.
MURIEL: I don't think it's very good. It's trashy.
MAURY: (Faintly) Yes, that's true.
MURIEL: But I went to "Within the Law" last night and I thought it was fine. Have you seen "The Little Cafe"?...
This continued until they ran out of plays. Dick, meanwhile, turned to Mr. Bloeckman, determined to extract what gold he could from this unpromising load.
"I hear all the new novels are sold to the moving pictures as soon as they come out."
"That's true. Of course the main thing in a moving picture is a strong story."
"Yes, I suppose so."
"So many novels are all full of talk and psychology. Of course those aren't as valuable to us. It's impossible to make much of that interesting on the screen."