The rising moon, which just now is waning, produces an indescribable effect. It seems to hover among the trees and submerges the meadow in its gleam of silver. The goddess stands as if transfigured, and seems to bathe in the soft moonlight.
Once when I was returning from my devotions by one of the walks leading to the house, I suddenly saw a woman's figure, white as stone, under the illumination of the moon and separated from me merely by a screen of trees. It seemed as if the beautiful woman of marble had taken pity on me, become alive, and followed me. I was seized by a nameless fear, my heart threatened to burst, and instead-Well, I am a dilettante. As always, I broke down at the second stanza; rather, on the contrary, I did not break down, but ran away as fast as my legs would carry me.
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What an accident! Through a Jew, dealing in photographs I secured a picture of my ideal. It is a small reproduction of Titian's "Venus with the Mirror." What a woman! I want to write a poem, but instead, I take the reproduction, and write on it: Venus in Furs.
You are cold, while you yourself fan flames. By all means wrap yourself in your despotic furs, there is no one to whom they are more appropriate, cruel goddess of love and of beauty!--After a while I add a few verses from Goethe, which I recently found in his paralipomena to Faust.
TO AMOR "The pair of wings a fiction are, The arrows, they are naught but claws, The wreath conceals the little horns, For without any doubt he is Like all the gods of ancient Greece Only a devil in disguise."
Then I put the picture before me on my table, supporting it with a book, and looked at it.
I was enraptured and at the same time filled with a strange fear by the cold coquetry with which this magnificent woman draped her charms in her furs of dark sable; by the severity and hardness which lay in this cold marble-like face. Again I took my pen in hand, and wrote the following words: "To love, to be loved, what happiness! And yet how the glamour of this pales in comparison with the tormenting bliss of worshipping a woman who makes a plaything out of us, of being the slave of a beautiful tyrant who treads us pitilessly underfoot. Even Samson, the hero, the giant, again put himself into the hands of Delilah, even after she had betrayed him, and again she betrayed him, and the Philistines bound him and put out his eyes which until the very end he kept fixed, drunken with rage and love, upon the beautiful betrayer."