Pygmalion - Page 59/72

LIZA. I see. [She turns away composedly, and sits on the ottoman,

facing the window]. The same to everybody.

HIGGINS. Just so.

LIZA. Like father.

HIGGINS [grinning, a little taken down] Without accepting the

comparison at all points, Eliza, it's quite true that your father is

not a snob, and that he will be quite at home in any station of life to

which his eccentric destiny may call him. [Seriously] The great secret,

Eliza, is not having bad manners or good manners or any other

particular sort of manners, but having the same manner for all human

souls: in short, behaving as if you were in Heaven, where there are no

third-class carriages, and one soul is as good as another.

LIZA. Amen. You are a born preacher.

HIGGINS [irritated] The question is not whether I treat you rudely, but

whether you ever heard me treat anyone else better.

LIZA [with sudden sincerity] I don't care how you treat me. I don't

mind your swearing at me. I don't mind a black eye: I've had one before

this. But [standing up and facing him] I won't be passed over.

HIGGINS. Then get out of my way; for I won't stop for you. You talk

about me as if I were a motor bus.

LIZA. So you are a motor bus: all bounce and go, and no consideration

for anyone. But I can do without you: don't think I can't.

HIGGINS. I know you can. I told you you could.

LIZA [wounded, getting away from him to the other side of the ottoman

with her face to the hearth] I know you did, you brute. You wanted to

get rid of me.

HIGGINS. Liar.

LIZA. Thank you. [She sits down with dignity].

HIGGINS. You never asked yourself, I suppose, whether I could do

without YOU.

LIZA [earnestly] Don't you try to get round me. You'll HAVE to do

without me.

HIGGINS [arrogant] I can do without anybody. I have my own soul: my own

spark of divine fire. But [with sudden humility] I shall miss you,

Eliza. [He sits down near her on the ottoman]. I have learnt something

from your idiotic notions: I confess that humbly and gratefully. And I

have grown accustomed to your voice and appearance. I like them, rather.

LIZA. Well, you have both of them on your gramophone and in your book

of photographs. When you feel lonely without me, you can turn the

machine on. It's got no feelings to hurt.

HIGGINS. I can't turn your soul on. Leave me those feelings; and you

can take away the voice and the face. They are not you.