FREDDY. Oh, very well: I'll go, I'll go. [He opens his umbrella and
dashes off Strandwards, but comes into collision with a flower girl,
who is hurrying in for shelter, knocking her basket out of her hands. A
blinding flash of lightning, followed instantly by a rattling peal of
thunder, orchestrates the incident]
THE FLOWER GIRL. Nah then, Freddy: look wh' y' gowin, deah.
FREDDY. Sorry [he rushes off].
THE FLOWER GIRL [picking up her scattered flowers and replacing them in
the basket] There's menners f' yer! Te-oo banches o voylets trod into
the mad. [She sits down on the plinth of the column, sorting her
flowers, on the lady's right. She is not at all an attractive person.
She is perhaps eighteen, perhaps twenty, hardly older. She wears a
little sailor hat of black straw that has long been exposed to the dust
and soot of London and has seldom if ever been brushed. Her hair needs
washing rather badly: its mousy color can hardly be natural. She wears
a shoddy black coat that reaches nearly to her knees and is shaped to
her waist. She has a brown skirt with a coarse apron. Her boots are
much the worse for wear. She is no doubt as clean as she can afford to
be; but compared to the ladies she is very dirty. Her features are no
worse than theirs; but their condition leaves something to be desired;
and she needs the services of a dentist].
THE MOTHER. How do you know that my son's name is Freddy, pray?
THE FLOWER GIRL. Ow, eez ye-ooa san, is e? Wal, fewd dan y' de-ooty
bawmz a mather should, eed now bettern to spawl a pore gel's flahrzn
than ran awy atbaht pyin. Will ye-oo py me f'them? [Here, with
apologies, this desperate attempt to represent her dialect without a
phonetic alphabet must be abandoned as unintelligible outside London.]
THE DAUGHTER. Do nothing of the sort, mother. The idea!
THE MOTHER. Please allow me, Clara. Have you any pennies?
THE DAUGHTER. No. I've nothing smaller than sixpence.
THE FLOWER GIRL [hopefully] I can give you change for a tanner, kind
lady.
THE MOTHER [to Clara] Give it to me. [Clara parts reluctantly]. Now [to
the girl] This is for your flowers.
THE FLOWER GIRL. Thank you kindly, lady.
THE DAUGHTER. Make her give you the change. These things are only a
penny a bunch.
THE MOTHER. Do hold your tongue, Clara. [To the girl]. You can keep the
change.
THE FLOWER GIRL. Oh, thank you, lady.
THE MOTHER. Now tell me how you know that young gentleman's name.
THE FLOWER GIRL. I didn't.