"No crowding," said Mr. Rochester: "take the drawings from my hand
as I finish with them; but don't push your faces up to mine."
He deliberately scrutinised each sketch and painting. Three he laid
aside; the others, when he had examined them, he swept from him.
"Take them off to the other table, Mrs. Fairfax," said he, and look
at them with Adele;--you" (glancing at me) "resume your seat, and
answer my questions. I perceive those pictures were done by one
hand: was that hand yours?"
"Yes."
"And when did you find time to do them? They have taken much time,
and some thought."
"I did them in the last two vacations I spent at Lowood, when I had
no other occupation."
"Where did you get your copies?"
"Out of my head."
"That head I see now on your shoulders?"
"Yes, sir."
"Has it other furniture of the same kind within?"
"I should think it may have: I should hope--better."
He spread the pictures before him, and again surveyed them
alternately.
While he is so occupied, I will tell you, reader, what they are:
and first, I must premise that they are nothing wonderful. The
subjects had, indeed, risen vividly on my mind. As I saw them with
the spiritual eye, before I attempted to embody them, they were
striking; but my hand would not second my fancy, and in each case it
had wrought out but a pale portrait of the thing I had conceived.
These pictures were in water-colours. The first represented clouds
low and livid, rolling over a swollen sea: all the distance was in
eclipse; so, too, was the foreground; or rather, the nearest
billows, for there was no land. One gleam of light lifted into
relief a half-submerged mast, on which sat a cormorant, dark and
large, with wings flecked with foam; its beak held a gold bracelet
set with gems, that I had touched with as brilliant tints as my
palette could yield, and as glittering distinctness as my pencil
could impart. Sinking below the bird and mast, a drowned corpse
glanced through the green water; a fair arm was the only limb
clearly visible, whence the bracelet had been washed or torn.
The second picture contained for foreground only the dim peak of a
hill, with grass and some leaves slanting as if by a breeze. Beyond
and above spread an expanse of sky, dark blue as at twilight:
rising into the sky was a woman's shape to the bust, portrayed in
tints as dusk and soft as I could combine. The dim forehead was
crowned with a star; the lineaments below were seen as through the
suffusion of vapour; the eyes shone dark and wild; the hair streamed
shadowy, like a beamless cloud torn by storm or by electric travail.
On the neck lay a pale reflection like moonlight; the same faint
lustre touched the train of thin clouds from which rose and bowed
this vision of the Evening Star.