The Phantom of the Opera - Page 101/178

"Why, sir," exclaimed the box-keeper, stopping the pleasant nodding of

the black feathers in her dingy bonnet, "I assure you no one has ever

doubted that!"

"We are quite agreed and we shall soon understand one another. The

story of the ghost is all humbug, isn't it? ... Well, still between

ourselves, ... it has lasted long enough."

Mme. Giry looked at the managers as though they were talking Chinese.

She walked up to Richard's table and asked, rather anxiously: "What do you mean? I don't understand."

"Oh, you, understand quite well. In any case, you've got to

understand... And, first of all, tell us his name."

"Whose name?"

"The name of the man whose accomplice you are, Mme. Giry!"

"I am the ghost's accomplice? I? ... His accomplice in what, pray?"

"You do all he wants."

"Oh! He's not very troublesome, you know."

"And does he still tip you?"

"I mustn't complain."

"How much does he give you for bringing him that envelope?"

"Ten francs."

"You poor thing! That's not much, is it?

"Why?"

"I'll tell you that presently, Mme. Giry. Just now we should like to

know for what extraordinary reason you have given yourself body and

soul, to this ghost ... Mme. Giry's friendship and devotion are not to

be bought for five francs or ten francs."

"That's true enough ... And I can tell you the reason, sir. There's

no disgrace about it... on the contrary."

"We're quite sure of that, Mme. Giry!"

"Well, it's like this ... only the ghost doesn't like me to talk about

his business."

"Indeed?" sneered Richard.

"But this is a matter that concerns myself alone ... Well, it was in

Box Five one evening, I found a letter addressed to myself, a sort of

note written in red ink. I needn't read the letter to you sir; I know

it by heart, and I shall never forget it if I live to be a hundred!"

And Mme. Giry, drawing herself up, recited the letter with touching

eloquence: MADAM: 1825. Mlle. Menetrier, leader of the ballet, became Marquise de Cussy.

1832. Mlle. Marie Taglioni, a dancer, became Comtesse Gilbert des

Voisins.

1846. La Sota, a dancer, married a brother of the King of Spain.

1847. Lola Montes, a dancer, became the morganatic wife of King Louis

of Bavaria and was created Countess of Landsfeld.

1848. Mlle. Maria, a dancer, became Baronne d'Herneville.

1870. Theresa Hessier, a dancer, married Dom Fernando, brother to the

King of Portugal.

Richard and Moncharmin listened to the old woman, who, as she proceeded

with the enumeration of these glorious nuptials, swelled out, took

courage and, at last, in a voice bursting with pride, flung out the

last sentence of the prophetic letter: 1885. Meg Giry, Empress!

Exhausted by this supreme effort, the box-keeper fell into a chair,

saying: "Gentlemen, the letter was signed, 'Opera Ghost.' I had heard much of

the ghost, but only half believed in him. From the day when he

declared that my little Meg, the flesh of my flesh, the fruit of my

womb, would be empress, I believed in him altogether."