The Phantom of the Opera - Page 132/178

On the other hand, I soon discovered the curious moral traffic

established between the monster and Christine Daae. Hiding in the

lumber-room next to the young prima donna's dressing-room, I listened

to wonderful musical displays that evidently flung Christine into

marvelous ecstasy; but, all the same, I would never have thought that

Erik's voice--which was loud as thunder or soft as angels' voices, at

will--could have made her forget his ugliness. I understood all when I

learned that Christine had not yet seen him! I had occasion to go to

the dressing-room and, remembering the lessons he had once given me, I

had no difficulty in discovering the trick that made the wall with the

mirror swing round and I ascertained the means of hollow bricks and so

on--by which he made his voice carry to Christine as though she heard

it close beside her. In this way also I discovered the road that led

to the well and the dungeon--the Communists' dungeon--and also the

trap-door that enabled Erik to go straight to the cellars below the

stage.

A few days later, what was not my amazement to learn by my own eyes and

ears that Erik and Christine Daae saw each other and to catch the

monster stooping over the little well, in the Communists' road and

sprinkling the forehead of Christine Daae, who had fainted. A white

horse, the horse out of the PROFETA, which had disappeared from the

stables under the Opera, was standing quietly beside them. I showed

myself. It was terrible. I saw sparks fly from those yellow eyes and,

before I had time to say a word, I received a blow on the head that

stunned me.

When I came to myself, Erik, Christine and the white horse had

disappeared. I felt sure that the poor girl was a prisoner in the

house on the lake. Without hesitation, I resolved to return to the

bank, notwithstanding the attendant danger. For twenty-four hours, I

lay in wait for the monster to appear; for I felt that he must go out,

driven by the need of obtaining provisions. And, in this connection, I

may say, that, when he went out in the streets or ventured to show

himself in public, he wore a pasteboard nose, with a mustache attached

to it, instead of his own horrible hole of a nose. This did not quite

take away his corpse-like air, but it made him almost, I say almost,

endurable to look at.

I therefore watched on the bank of the lake and, weary of long waiting,

was beginning to think that he had gone through the other door, the

door in the third cellar, when I heard a slight splashing in the dark,

I saw the two yellow eyes shining like candles and soon the boat

touched shore. Erik jumped out and walked up to me: "You've been here for twenty-four hours," he said, "and you're annoying

me. I tell you, all this will end very badly. And you will have

brought it upon yourself; for I have been extraordinarily patient with

you. You think you are following me, you great booby, whereas it's I

who am following you; and I know all that you know about me, here. I

spared you yesterday, in MY COMMUNISTS' ROAD; but I warn you,

seriously, don't let me catch you there again! Upon my word, you don't

seem able to take a hint!"