The Phantom of the Opera - Page 135/178

He filled Christine's mind, through the terror with which he inspired

her, but the dear child's heart belonged wholly to the Vicomte Raoul de

Chagny. While they played about, like an innocent engaged couple, on

the upper floors of the Opera, to avoid the monster, they little

suspected that some one was watching over them. I was prepared to do

anything: to kill the monster, if necessary, and explain to the police

afterward. But Erik did not show himself; and I felt none the more

comfortable for that.

I must explain my whole plan. I thought that the monster, being driven

from his house by jealousy, would thus enable me to enter it, without

danger, through the passage in the third cellar. It was important, for

everybody's sake, that I should know exactly what was inside. One day,

tired of waiting for an opportunity, I moved the stone and at once

heard an astounding music: the monster was working at his Don Juan

Triumphant, with every door in his house wide open. I knew that this

was the work of his life. I was careful not to stir and remained

prudently in my dark hole.

He stopped playing, for a moment, and began walking about his place,

like a madman. And he said aloud, at the top of his voice: "It must be finished FIRST! Quite finished!"

This speech was not calculated to reassure me and, when the music

recommenced, I closed the stone very softly.

On the day of the abduction of Christine Daae, I did not come to the

theater until rather late in the evening, trembling lest I should hear

bad news. I had spent a horrible day, for, after reading in a morning

paper the announcement of a forthcoming marriage between Christine and

the Vicomte de Chagny, I wondered whether, after all, I should not do

better to denounce the monster. But reason returned to me, and I was

persuaded that this action could only precipitate a possible

catastrophe.

When, my cab set me down before the Opera, I was really almost

astonished to see it still standing! But I am something of a fatalist,

like all good Orientals, and I entered ready, for anything.

Christine Daae's abduction in the Prison Act, which naturally surprised

everybody, found me prepared. I was quite certain that she had been

juggled away by Erik, that prince of conjurers. And I thought

positively that this was the end of Christine and perhaps of everybody,

so much so that I thought of advising all these people who were staying

on at the theater to make good their escape. I felt, however, that

they would be sure to look upon me as mad and I refrained.