The Phantom of the Opera - Page 146/178

"Oh, very much!"

"There, that's better! ... You're better now, are you not? ... That's

all right, you're better! ... No excitement! ... And what a funny

house, isn't it, with landscapes like that in it?"

"Yes, it's like the Musee Grevin ... But, say, Erik ... there are no

tortures in there! ... What a fright you gave me!"

"Why ... as there is no one there?"

"Did you design that room? It's very handsome. You're a great artist,

Erik."

"Yes, a great artist, in my own line."

"But tell me, Erik, why did you call that room the torture-chamber?"

"Oh, it's very simple. First of all, what did you see?"

"I saw a forest."

"And what is in a forest?"

"Trees."

"And what is in a tree?"

"Birds."

"Did you see any birds?"

"No, I did not see any birds."

"Well, what did you see? Think! You saw branches And what are the

branches?" asked the terrible voice. "THERE'S A GIBBET! That is why I

call my wood the torture-chamber! ... You see, it's all a joke. I

never express myself like other people. But I am very tired of it! ...

I'm sick and tired of having a forest and a torture-chamber in my house

and of living like a mountebank, in a house with a false bottom! ...

I'm tired of it! I want to have a nice, quiet flat, with ordinary

doors and windows and a wife inside it, like anybody else! A wife whom

I could love and take out on Sundays and keep amused on week-days ...

Here, shall I show you some card-tricks? That will help us to pass a

few minutes, while waiting for eleven o'clock to-morrow evening ... My

dear little Christine! ... Are you listening to me? ... Tell me you

love me! ... No, you don't love me ... but no matter, you will! ...

Once, you could not look at my mask because you knew what was behind...

And now you don't mind looking at it and you forget what is behind! ...

One can get used to everything ... if one wishes... Plenty of young

people who did not care for each other before marriage have adored each

other since! Oh, I don't know what I am talking about! But you would

have lots of fun with me. For instance, I am the greatest

ventriloquist that ever lived, I am the first ventriloquist in the

world! ... You're laughing ... Perhaps you don't believe me? Listen."

The wretch, who really was the first ventriloquist in the world, was

only trying to divert the child's attention from the torture-chamber;

but it was a stupid scheme, for Christine thought of nothing but us!

She repeatedly besought him, in the gentlest tones which she could

assume: "Put out the light in the little window! ... Erik, do put out the light

in the little window!"