The Phantom of the Opera - Page 174/178

The reader knows and guesses the rest. It is all in keeping with this

incredible and yet veracious story. Poor, unhappy Erik! Shall we pity

him? Shall we curse him? He asked only to be "some one," like

everybody else. But he was too ugly! And he had to hide his genius OR

USE IT TO PLAY TRICKS WITH, when, with an ordinary face, he would have

been one of the most distinguished of mankind! He had a heart that

could have held the empire of the world; and, in the end, he had to

content himself with a cellar. Ah, yes, we must needs pity the Opera

ghost.

I have prayed over his mortal remains, that God might show him mercy

notwithstanding his crimes. Yes, I am sure, quite sure that I prayed

beside his body, the other day, when they took it from the spot where

they were burying the phonographic records. It was his skeleton. I

did not recognize it by the ugliness of the head, for all men are ugly

when they have been dead as long as that, but by the plain gold ring

which he wore and which Christine Daae had certainly slipped on his

finger, when she came to bury him in accordance with her promise.

The skeleton was lying near the little well, in the place where the

Angel of Music first held Christine Daae fainting in his trembling

arms, on the night when he carried her down to the cellars of the

opera-house.

And, now, what do they mean to do with that skeleton? Surely they will

not bury it in the common grave! ... I say that the place of the

skeleton of the Opera ghost is in the archives of the National Academy

of Music. It is no ordinary skeleton.

[1] Even so, I am convinced that it would be easy to reach it by

draining the lake, as I have repeatedly requested the Ministry of Fine

Arts to do. I was speaking about it to M. Dujardin-Beaumetz, the

under-secretary for fine arts, only forty-eight hours before the

publication of this book. Who knows but that the score of DON JUAN

TRIUMPHANT might yet be discovered in the house on the lake?

[2] See the interview of the special correspondent of the MATIN, with

Mohammed-Ali Bey, on the day after the entry of the Salonika troops

into Constantinople.