The Phantom of the Opera - Page 36/178

"Then you were listening behind the door?"

"Yes, because I love you everything ... And I heard everything ..."

"You heard what?"

And the young girl, becoming strangely calm, released Raoul's arm.

"He said to you, 'Christine, you must love me!'"

At these words, a deathly pallor spread over Christine's face, dark

rings formed round her eyes, she staggered and seemed on the point of

swooning. Raoul darted forward, with arms outstretched, but Christine

had overcome her passing faintness and said, in a low voice: "Go on! Go on! Tell me all you heard!"

At an utter loss to understand, Raoul answered: "I heard him reply,

when you said you had given him your soul, 'Your soul is a beautiful

thing, child, and I thank you. No emperor ever received so fair a

gift. The angels wept tonight.'"

Christine carried her hand to her heart, a prey to indescribable

emotion. Her eyes stared before her like a madwoman's. Raoul was

terror-stricken. But suddenly Christine's eyes moistened and two great

tears trickled, like two pearls, down her ivory cheeks.

"Christine!"

"Raoul!"

The young man tried to take her in his arms, but she escaped and fled

in great disorder.

While Christine remained locked in her room, Raoul was at his wit's end

what to do. He refused to breakfast. He was terribly concerned and

bitterly grieved to see the hours, which he had hoped to find so sweet,

slip past without the presence of the young Swedish girl. Why did she

not come to roam with him through the country where they had so many

memories in common? He heard that she had had a mass said, that

morning, for the repose of her father's soul and spent a long time

praying in the little church and on the fiddler's tomb. Then, as she

seemed to have nothing more to do at Perros and, in fact, was doing

nothing there, why did she not go back to Paris at once?

Raoul walked away, dejectedly, to the graveyard in which the church

stood and was indeed alone among the tombs, reading the inscriptions;

but, when he turned behind the apse, he was suddenly struck by the

dazzling note of the flowers that straggled over the white ground.

They were marvelous red roses that had blossomed in the morning, in the

snow, giving a glimpse of life among the dead, for death was all around

him. It also, like the flowers, issued from the ground, which had

flung back a number of its corpses. Skeletons and skulls by the

hundred were heaped against the wall of the church, held in position by

a wire that left the whole gruesome stack visible. Dead men's bones,

arranged in rows, like bricks, to form the first course upon which the

walls of the sacristy had been built. The door of the sacristy opened

in the middle of that bony structure, as is often seen in old Breton

churches.