The Phantom of the Opera - Page 78/178

"Yes, but tell me what happened when you were on the white horse of the

Profeta?"

"I made no movement and let myself go. The black shape held me up, and

I made no effort to escape. A curious feeling of peacefulness came

over me and I thought that I must be under the influence of some

cordial. I had the full command of my senses; and my eyes became used

to the darkness, which was lit, here and there, by fitful gleams. I

calculated that we were in a narrow circular gallery, probably running

all round the Opera, which is immense, underground. I had once been

down into those cellars, but had stopped at the third floor, though

there were two lower still, large enough to hold a town. But the

figures of which I caught sight had made me run away. There are demons

down there, quite black, standing in front of boilers, and they wield

shovels and pitchforks and poke up fires and stir up flames and, if you

come too near them, they frighten you by suddenly opening the red

mouths of their furnaces ... Well, while Cesar was quietly carrying me

on his back, I saw those black demons in the distance, looking quite

small, in front of the red fires of their furnaces: they came into

sight, disappeared and came into sight again, as we went on our winding

way. At last, they disappeared altogether. The shape was still

holding me up and Cesar walked on, unled and sure-footed. I could not

tell you, even approximately, how long this ride lasted; I only know

that we seemed to turn and turn and often went down a spiral stair into

the very heart of the earth. Even then, it may be that my head was

turning, but I don't think so: no, my mind was quite clear. At last,

Cesar raised his nostrils, sniffed the air and quickened his pace a

little. I felt a moistness in the air and Cesar stopped. The darkness

had lifted. A sort of bluey light surrounded us. We were on the edge

of a lake, whose leaden waters stretched into the distance, into the

darkness; but the blue light lit up the bank and I saw a little boat

fastened to an iron ring on the wharf!"

"A boat!"

"Yes, but I knew that all that existed and that there was nothing

supernatural about that underground lake and boat. But think of the

exceptional conditions in which I arrived upon that shore! I don't

know whether the effects of the cordial had worn off when the man's

shape lifted me into the boat, but my terror began all over again. My

gruesome escort must have noticed it, for he sent Cesar back and I

heard his hoofs trampling up a staircase while the man jumped into the

boat, untied the rope that held it and seized the oars. He rowed with

a quick, powerful stroke; and his eyes, under the mask, never left me.

We slipped across the noiseless water in the bluey light which I told

you of; then we were in the dark again and we touched shore. And I was

once more taken up in the man's arms. I cried aloud. And then,

suddenly, I was silent, dazed by the light... Yes, a dazzling light in

the midst of which I had been put down. I sprang to my feet. I was in

the middle of a drawing-room that seemed to me to be decorated, adorned

and furnished with nothing but flowers, flowers both magnificent and

stupid, because of the silk ribbons that tied them to baskets, like

those which they sell in the shops on the boulevards. They were much

too civilized flowers, like those which I used to find in my

dressing-room after a first night. And, in the midst of all these

flowers, stood the black shape of the man in the mask, with arms

crossed, and he said, 'Don't be afraid, Christine; you are in no

danger.' IT WAS THE VOICE!