The Phantom of the Opera - Page 8/178

"Oh, yes!" answered the little ballet-girls in chorus, warding off

ill-luck by pointing their forefinger and little finger at the absent

Persian, while their second and third fingers were bent on the palm and

held down by the thumb.

"And you know how superstitious Gabriel is," continued Jammes.

"However, he is always polite. When he meets the Persian, he just puts

his hand in his pocket and touches his keys. Well, the moment the

Persian appeared in the doorway, Gabriel gave one jump from his chair

to the lock of the cupboard, so as to touch iron! In doing so, he tore

a whole skirt of his overcoat on a nail. Hurrying to get out of the

room, he banged his forehead against a hat-peg and gave himself a huge

bump; then, suddenly stepping back, he skinned his arm on the screen,

near the piano; he tried to lean on the piano, but the lid fell on his

hands and crushed his fingers; he rushed out of the office like a

madman, slipped on the staircase and came down the whole of the first

flight on his back. I was just passing with mother. We picked him up.

He was covered with bruises and his face was all over blood. We were

frightened out of our lives, but, all at once, he began to thank

Providence that he had got off so cheaply. Then he told us what had

frightened him. He had seen the ghost behind the Persian, THE GHOST

WITH THE DEATH'S HEAD just like Joseph Buquet's description!"

Jammes had told her story ever so quickly, as though the ghost were at

her heels, and was quite out of breath at the finish. A silence

followed, while Sorelli polished her nails in great excitement. It was

broken by little Giry, who said: "Joseph Buquet would do better to hold his tongue."

"Why should he hold his tongue?" asked somebody.

"That's mother's opinion," replied Meg, lowering her voice and looking

all about her as though fearing lest other ears than those present

might overhear.

"And why is it your mother's opinion?"

"Hush! Mother says the ghost doesn't like being talked about."

"And why does your mother say so?"

"Because--because--nothing--"

This reticence exasperated the curiosity of the young ladies, who

crowded round little Giry, begging her to explain herself. They were

there, side by side, leaning forward simultaneously in one movement of

entreaty and fear, communicating their terror to one another, taking a

keen pleasure in feeling their blood freeze in their veins.

"I swore not to tell!" gasped Meg.

But they left her no peace and promised to keep the secret, until Meg,

burning to say all she knew, began, with her eyes fixed on the door: "Well, it's because of the private box."