“On the contrary. I sketched her one night on a theatre program, I think she’ll last.”
They were both restless in the night. In a day or two Dick would try to banish the ghost of Rosemary before it became walled up with them, but for the moment he had no force to do it. Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but to pretend. This was more difficult because he was currently annoyed with Nicole, who, after all these years, should recognize symptoms of strain in herself and guard against them. Twice within a fortnight she had broken up: there had been the night of the dinner at Tarmes when he had found her in her bedroom dissolved in crazy laughter telling Mrs. McKisco she could not go in the bathroom because the key was thrown down the well. Mrs. McKisco was astonished and resentful, baffled and yet in a way comprehending. Dick had not been particularly alarmed then, for afterward Nicole was repentant. She called at Gausse’s Hotel but the McKiscos were gone.
The collapse in Paris was another matter, adding significance to the first one. It prophesied possibly a new cycle, a new pousse of the malady. Having gone through unprofessional agonies during her long relapse following Topsy’s birth, he had, perforce, hardened himself about her, making a cleavage between Nicole sick and Nicole well. This made it difficult now to distinguish between his self- protective professional detachment and some new coldness in his heart. As an indifference cherished, or left to atrophy, becomes an emptiness, to this extent he had learned to become empty of Nicole, serving her against his will with negations and emotional neglect. One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.
XII
He found Nicole in the garden with her arms folded high on her shoulders. She looked at him with straight gray eyes, with a child’s searching wonder.
“I went to Cannes,” he said. “I ran into Mrs. Speers. She’s leaving to-morrow. She wanted to come up and say good-by to you, but I slew the idea.”
“I’m sorry. I’d like to have seen her. I like her.”
“Who else do you think I saw—Bartholomew Tailor.”
“You didn’t.”
“I couldn’t have missed that face of his, the old experienced weasel. He was looking over the ground for Ciro’s Menagerie— they’ll all be down next year. I suspected Mrs. Abrams was a sort of outpost.”
“And Baby was outraged the first summer we came here.”
“They don’t really give a damn where they are, so I don’t see why they don’t stay and freeze in Deauville.”
“Can’t we start rumors about cholera or something?”
“I told Bartholomew that some categories died off like flies here— I told him the life of a suck was as short as the life of a machine-gunner in the war.”
“You didn’t.”
“No, I didn’t,” he admitted. “He was very pleasant. It was a beautiful sight, he and I shaking hands there on the boulevard. The meeting of Sigmund Freud and Ward McAllister.”
Dick didn’t want to talk—he wanted to be alone so that his thoughts about work and the future would overpower his thoughts of love and to-day. Nicole knew about it but only darkly and tragically, hating him a little in an animal way, yet wanting to rub against his shoulder.
“The darling,” Dick said lightly.
He went into the house, forgetting something he wanted to do there, and then remembering it was the piano. He sat down whistling and played by ear:
“Just picture you upon my knee
With tea for two and two for tea
And me for you and you for me—”
Through the melody flowed a sudden realization that Nicole, hearing it, would guess quickly at a nostalgia for the past fortnight. He broke off with a casual chord and left the piano.
It was hard to know where to go. He glanced about the house that Nicole had made, that Nicole’s grandfather had paid for. He owned only his work house and the ground on which it stood. Out of three thousand a year and what dribbled in from his publications he paid for his clothes and personal expenses, for cellar charges, and for Lanier’s education, so far confined to a nurse’s wage. Never had a move been contemplated without Dick’s figuring his share. Living rather ascetically, travelling third-class when he was alone, with the cheapest wine, and good care of his clothes, and penalizing himself for any extravagances, he maintained a qualified financial independence. After a certain point, though, it was difficult— again and again it was necessary to decide together as to the uses to which Nicole’s money should be put. Naturally Nicole, wanting to own him, wanting him to stand still forever, encouraged any slackness on his part, and in multiplying ways he was constantly inundated by a trickling of goods and money. The inception of the idea of the cliff villa which they had elaborated as a fantasy one day was a typical example of the forces divorcing them from the first simple arrangements in Zurich.
“Wouldn’t it be fun if—” it had been; and then, “Won’t it be fun when—”
It was not so much fun. His work became confused with Nicole’s problems; in addition, her income had increased so fast of late that it seemed to belittle his work. Also, for the purpose of her cure, he had for many years pretended to a rigid domesticity from which he was drifting away, and this pretense became more arduous in this effortless immobility, in which he was inevitably subjected to microscopic examination. When Dick could no longer play what he wanted to play on the piano, it was an indication that life was being refined down to a point. He stayed in the big room a long time listening to the buzz of the electric clock, listening to time.