Bella Donna - Page 51/384

Mrs. Chepstow, of course, would never find a man sincerely to love her now.

And yet why not! Suddenly Nigel checked himself, as he generally did when he found himself swiftly subscribing to the general opinion of the great mass of men. Why not? The shoulder to the wheel; it was nearly always the shoulder of love--love of an idea, love of a woman, love of humanity, love of work, love of God. All the men he knew, or very nearly all, would laugh at the idea of Mrs. Chepstow being sincerely loved. But the fact that they would laugh could have no effect on a manly heart or a manly spirit.

He felt almost angry with her for the loneliness and the immobility which pained his chivalry and struck at his sense of pity. If he could think of her as going away, too, as wandering, in Switzerland, in Italy, in some lovely place, he would feel all right. But always he saw her seated in that room, alone, deserted, playing the piano, reading, with no prospect of company, of change. Mrs. Chepstow had acted her part well. She had stamped a lonely image upon the retina of Nigel's imagination.

He was still walking about his room in bare feet. But his cigar had gone out, though it was still between his lips. The hour was very late. He heard a distant clock strike two. And just after he had listened to its chime, followed by other chimes in near and distant places of the city, the night idea of a strong and young man came to him.

If he could not be friends with Mrs. Chepstow, could he be--the other thing to her!

He put up his hand to his lips, took away the cigar, and flung it out of the window violently. And this physical violence was the echo of his mental violence. She might allow such a thing. Often, if half of what was said of her was true, she had entered into a similar relation with other men. He would not believe that "often." He put it differently. She had certainly entered into a similar relation with some men--perhaps with two or three, multiplied by scandal--in the past. Would she enter into it with him, if he asked her? And would he ever ask her?

He threw himself down again in his arm-chair, and stared at his bare feet planted firmly on the floor. But he saw, not his feet, but the ugly spectre of love, that hideous, damnable ghost, that most pretentious of all pretensions. She had lived with the ghost till she had become pale like a ghost. In the picture of "Progress," which he loved, there was a glow, a glory of light, raying out to a far horizon. It would be putting a shoulder to the wheel to set a glow in the cheeks of a woman, not a glow of shame but of joy. And to be--and then Nigel used to himself that expression of the laughing men in the clubs--"a bad last!" No, that sort of thing was intolerable.