Lady Audley's Secret - Page 177/326

He directed the small servant to carry his card to her mistress, and quietly awaited the result.

The servant returned in about five minutes with the key of the gate. Her mistress was at home, she told Robert as she admitted him, and would be happy to see the gentleman.

The square parlor into which Robert was ushered bore in every scrap of ornament, in every article of furniture, the unmistakable stamp of that species of poverty which is most comfortless because it is never stationary. The mechanic who furnishes his tiny sitting-room with half-a-dozen cane chairs, a Pembroke table, a Dutch clock, a tiny looking-glass, a crockery shepherd and shepherdess, and a set of gaudily-japanned iron tea-trays, makes the most of his limited possessions, and generally contrives to get some degree of comfort out of them; but the lady who loses the handsome furniture of the house she is compelled to abandon and encamps in some smaller habitation with the shabby remainder--bought in by some merciful friend at the sale of her effects--carries with her an aspect of genteel desolation and tawdry misery not easily to be paralleled in wretchedness by any other phase which poverty can assume.

The room which Robert Audley surveyed was furnished with the shabbier scraps snatched from the ruin which had overtaken the imprudent schoolmistress in Crescent Villas. A cottage piano, a chiffonier, six sizes too large for the room, and dismally gorgeous in gilded moldings that were chipped and broken; a slim-legged card-table, placed in the post of honor, formed the principal pieces of furniture. A threadbare patch of Brussels carpet covered the center of the room, and formed an oasis of roses and lilies upon a desert of shabby green drugget. Knitted curtains shaded the windows, in which hung wire baskets of horrible-looking plants of the cactus species, that grew downward, like some demented class of vegetation, whose prickly and spider-like members had a fancy for standing on their heads.

The green-baize covered card-table was adorned with gaudily-bound annuals or books of beauty, placed at right angles; but Robert Audley did not avail himself of these literary distractions. He seated himself upon one of the rickety chairs, and waited patiently for the advent of the schoolmistress. He could hear the hum of half-a-dozen voices in a room near him, and the jingling harmonies of a set of variations in Deh Conte, upon a piano, whose every wire was evidently in the last stage of attenuation.

He had waited for about a quarter of an hour, when the door was opened, and a lady, very much dressed, and with the setting sunlight of faded beauty upon her face, entered the room.