Vendetta - Page 24/293

My curiosity was excited, and I bent close to examine the lid of this funeral chest. There was no name on it--no mark of any sort, save one--a dagger roughly painted in red. Here was a mystery! I resolved to penetrate it. I set up my candle in a little crevice of one of the empty niches, and laid the pearl and diamond pendant beside it, thus disembarrassing myself of all incumbrance. The huge coffin lay on its side, as I have said; its uppermost corner was splintered; I applied both hands to the work of breaking further asunder these already split portions. As I did so a leathern pouch or bag rolled out and fell at my feet. I picked it up and opened it--it was full of gold pieces! More excited than ever, I seized a large pointed stone, and by the aid of this extemporized instrument, together with the force of my own arms, hands, and feet, I managed, after some ten minutes' hard labor, to break open the mysterious casket.

When I had accomplished this deed I stared at the result like a man stupefied. No moldering horror met my gaze--no blanched or decaying bones; no grinning skull mocked me with its hollow eye-sockets. I looked upon a treasure worthy of an emperor's envy! The big coffin was literally lined and packed with incalculable wealth. Fifty large leathern bags tied with coarse cord lay uppermost; more than half of these were crammed with gold coins, the rest were full of priceless gems--necklaces, tiaras, bracelets, watches, chains, and other articles of feminine adornment were mingled with loose precious stones--diamonds, rubies, emeralds, and opals, some of unusual size and luster, some uncut, and some all ready for the jeweler's setting. Beneath these bags were packed a number of pieces of silk, velvet, and cloth of gold, each piece being wrapped by itself in a sort of oil-skin, strongly perfumed with camphor and other spices. There were also three lengths of old lace, fine as gossamer, of matchless artistic design, in perfect condition. Among these materials lay two large trays of solid gold workmanship, most exquisitely engraved and ornamented, also four gold drinking-cups, of quaint and massive construction. Other valuables and curious trifles there were, such as an ivory statuette of Psyche on a silver pedestal, a waistband of coins linked together, a painted fan with a handle set in amber and turquois, a fine steel dagger in a jeweled sheath, and a mirror framed in old pearls. Last, but not least, at the very bottom of the chest lay rolls upon rolls of paper money amounting to some millions of francs--in all far surpassing what I had myself formerly enjoyed from my own revenues. I plunged my hands deep in the leathern bags; I fingered the rich materials; all this treasure was mine! I had found it in my own burial vault! I had surely the right to consider it as my property? I began to consider--how could it have been placed there without my knowledge? The answer to this question occurred to me at once. Brigands! Of course!--what a fool I was not to have thought of them before; the dagger painted on the lid of the chest should have guided me to the solution of the mystery. A red dagger was the recognized sign-manual of a bold and dangerous brigand named Carmelo Neri, who, with his reckless gang, haunted the vicinity of Palermo.