"Am I crazy?" she asked Tony.
He glanced at her, then back at the street. "No. You're not crazy. You saw something. You didn't wreck the house all by yourself. You didn't just imagine that the intruder looked like Bruno Frye.
I'll admit I thought that's what you were doing at first. But now I know you aren't confused."
"But ... a walking dead man? Isn't that too much to accept?"
"It's just as difficult to accept the other theory--that two unassociated maniacs, both suffering from the same unique set of delusions, both obsessed with a psychotic fear of vampires, attacked you in one week. In fact, I think it's a little easier to believe that Frye is somehow alive."
"Maybe you caught it from me."
"Caught what?"
"Insanity."
He smiled. "Insanity isn't like the common cold. You can't spread it with a cough--or a kiss."
"Haven't you heard of a 'shared psychosis'?"
Braking for a traffic light, he said, "Shared psychosis? Isn't that a social welfare program for underprivileged lunatics who can't afford psychoses of their own?"
"Jokes at a time like this?"
"Especially at a time like this."
"What about mass hysteria?"
"It's not one of my favorite pastimes."
"I mean, maybe that's what's happening here."
"No. Impossible," he said. "There's only two of us. That's not enough to make a mass."
She smiled. "God, I'm glad you're here. I'd hate to be fighting this thing alone."
"You'll never be alone again."
She put one hand on his shoulder.
They reached the morgue at quarter past eleven.
***
At the coroner's office, Hilary and Tony learned from the secretary that the chief medical examiner had not performed the autopsy on the body of Bruno Frye. Last Thursday and Friday, he had been in San Francisco on a speaking engagement. The autopsy had been left to an assistant, another doctor on the M.E.'s staff.
That bit of news gave Hilary hope that there would be a simple solution to the mystery of Frye's return from the grave. Perhaps the assistant assigned to the job had been a slacker, a lazy man who, free of his boss's constant supervision, had skipped the autopsy and filed a false report.
That hope was dashed when she met Ira Goldfield, the young doctor in question. He was in his early thirties, a handsome man with piercing blue eyes and a lot of tight blond curls. He was friendly, energetic, bright, and obviously too interested in his work and too dedicated to it to do less than a perfect job.
Goldfield escorted them to a small conference room that smelled of pine-scented disinfectant and cigarette smoke. They sat at a rectangular table that was covered with half a dozen medical reference books, pages of lab reports, and computer print-outs.
"Sure." Goldfield said. "I remember that one. Bruno Graham ... no ... Gunther. Bruno Gunther Frye.
Two stab wounds, one of them just a little worse than superficial, the other very deep and fatal.
Some of the best developed abdominal muscles I've ever seen." He blinked at Hilary and said, "Oh yes.... You're the woman who ... stabbed him."
"Self-defense," Tony said.
"I don't doubt that for a second," Goldfield assured him. "In my professional opinion, it's highly unlikely that Miss Thomas could have initiated a successful assault against that man. He was huge.
He'd have brushed her away as easily as one of us might turn aside a small child." Goldfield looked at Hilary again. "According to the crime report and the newspaper accounts that I read, Frye attacked you without realizing you were carrying a knife."
"That's right. He thought I was unarmed."
Goldfield nodded. "It had to be that way. Considering the disparity in body sizes, that's the only way you could have taken him without being seriously injured yourself. I mean, the biceps and triceps and forearms on that man were truly astounding. Ten or fifteen years ago, he could have entered body building competitions with considerable success. You were damned lucky, Miss Thomas.
If you hadn't surprised him, he could have broken you in half. Almost literally in half. And easily, too." He shook his head, still impressed with Frye's body. "What was it you wanted to ask me about him?"
Tony looked at her, and she shrugged. "It seems rather pointless now that we're here."
Goldfield looked from one of them to the other, a vague, encouraging smile of curiosity on his handsome face.
Tony cleared his throat. "I agree with Hilary. It seems pointless ... now that we've met you."
"You came in looking so somber and mysterious," Goldfield said pleasantly. "You pricked my interest. You can't keep me hanging like this."
"Well," Tony said, "we came here to find out if there actually had been an autopsy."
Goldfield didn't understand. "But you knew that before you asked to see me. Agnes, the M.E.'s secretary, must have told you...."
"We wanted to hear it from you," Hilary said.
"I still don't get it."
"We knew that an autopsy report had been filed," Tony said. "But we didn't know for certain that the work had been done."
"But now that we've met you," Hilary said quickly, "we have no doubt about it."
Goldfield cocked his head. "You mean to say ... you thought I filed a fake report without bothering to cut him open?" He didn't seem to be offended, just amazed.
"We thought there might be an outside chance of it," Tony admitted. "A long shot."
"Not in this M.E.'s jurisdiction," Goldfield said. "He's a tough old SOB. He keeps us in line. If one of us didn't do his job, the old man would crucify him." It was obvious from Goldfield's affectionate tone that he greatly admired the chief medical examiner.
Hilary said, "Then there's no doubt in your mind that Bruno Frye was ... dead?"
Goldfield gaped at her as if she had just asked him to stand on his head and recite a poem. "Dead?
Why, of course he was dead!"
"You did a complete autopsy?" Tony asked.
"Yes. I cut him--" Goldfield stopped abruptly, thought for a second or two, then said, "No. It wasn't a complete autopsy in the sense you probably mean. Not a medical school dissection of every part of the body. It was an extremely busy day here. A lot of incoming. And we were short-handed.
Anyway, there wasn't any need to open Frye all the way up. The stab wound in the lower abdomen was decisive. No reason to open his chest and have a look at his heart. Nothing to be gained by weighing a lot of organs and poking around in his cranium. I did a very thorough exterior examination, and then I opened the two wounds further, to establish the extent of the damage and to be certain that at least one of them had been the cause of death. If he hadn't been stabbed in your house, while attacking you ... if the circumstances of his death had been less clear, I might have done more with him. But it was clear there wasn't going to be any criminal charges brought in the case. Besides, I am absolutely positive that the abdominal wound killed him."
"Is it possible he was only in a very deep coma when you examined him?" Hilary asked.
"Coma? My God, no! Jesus, no!" Goldfield stood up and paced the length of the long narrow room.
"Frye was checked for pulse, respiration, pupil activity, and even brainwaves. The man was indisputably dead, Miss Thomas." He returned to the table and looked down at them. "Dead as stone.
When I saw him, there wasn't enough blood in his body to sustain even the barest threshold of life. There was advanced lividity, which means that the blood still in his tissues had settled to the lowest point of the body--the lowest corresponding, in this case, to the position in which he'd been when he'd died. At those places, the flesh was somewhat distended and purple. There's no mistaking that and no overlooking it."
Tony pushed his chair back and stood. "My apologies for wasting your time, Dr. Goldfield."
"And I'm sorry for suggesting you might not have done your job well enough," Hilary said as she got to her feet.
"Hold on now," Goldfield said. "You can't just leave me standing here in the dark. What's this all about?"
She looked at Tony. He seemed as reluctant as she was to discuss walking dead men with the doctor.
"Come on," Goldfield said. "Neither of you strikes me as stupid. You had your reasons for coming here."
Tony said, "Last night, another man broke into Hilary's house and attempted to kill her. He bore a striking resemblance to Bruno Frye."
"Are you serious?" Goldfield asked.
"Oh, yes," Hilary said. "Very serious."
"And you thought--"
"Yes."
"God, it must have been a shock to see him and think he'd come back!" Goldfield said. "But all I can tell you is that the resemblance must be coincidental. Because Frye is dead. I've never seen a man any deader than he was."
They thanked Goldfield for his time and patience, and he escorted them out to the reception area.
Tony stopped at the desk and asked Agnes, the secretary, for the name of the funeral home that had claimed Frye's body. She looked through the files and said, "It was Angels' Hill Mortuary."
Hilary wrote down the address.
Goldfield said, "You don't still think--"
"No," Tony said. "But on the other hand, we've got to pursue every lead. At least, that's what they taught me at the police academy."
Eyes hooded, frowning, Goldfield watched them as they walked away.
***
At Angels' Hill Mortuary, Hilary waited in the Jeep while Tony went inside to talk to the mortician who had handled the body of Bruno Frye. They had agreed that he would be able to obtain the information faster if he went in alone and used his LAPD identification.
Angels' Hill was a big operation with a fleet of hearses, twelve roomy viewing chapels, and a large staff of morticians and technicians. Even in the business office, the lighting was indirect and relaxing, and the colors were somber yet rich, and the floor was covered with plush wall-to-wall carpet. The decor was meant to convey a hushed appreciation for the mystery of death; but to Tony, all it conveyed was a loud and clear statement about the profitability of the funeral business.
The receptionist was a cute blonde in a gray skirt and maroon blouse. Her voice was soft, smooth, whispery, but it did not contain even a slight hint of sexual suggestiveness or invitation. It was a voice that had been carefully trained to project consolation, heartfelt solace, respect, and low-key but genuine concern. Tony wondered if she used the same cool funeral tone when she cried encouragement to her lover in bed, and that thought chilled him.
She located the file on Bruno Frye and found the name of the technician who had worked on the body. "Sam Hardesty. I believe Sam is in one of the preparation rooms at the moment. We've had a couple of recent admissions," she said, as if she were working in a hospital rather than a mortuary. "I'll see if he can spare you a few minutes. I'm not sure how far along he is in the treatment. If he can get free, he'll meet you in the employees' lounge."
She took Tony to the lounge to wait. The room was small but pleasant. Comfortable chairs were pushed up against the walls. There were ashtrays and all kinds of magazines. A coffee machine. A soda machine. A bulletin board covered with notices about bowling leagues and garage sales and car pools.
Tony was leafing through a four-page mimeographed copy of the Angels' Hill Employee News when Sam Hardesty arrived from one of the preparation rooms. Hardesty looked unnervingly like an automobile mechanic. He was wearing a rumpled white jumpsuit that zipped up the front; there were several small tools (the purpose of which Tony did not want to know) clipped to Hardesty's breast pocket.
He was a young man, in his late twenties, with long brown hair and sharp features.
"Detective Clemenza?"
"Yes."
Hardesty held out his hand, and Tony shook it with some reluctance, wondering what it had touched just moments ago.
"Suzy said you wanted to talk to me about one of the accounts." Hardesty had been trained by the same voice coach who had worked with Suzy, the blond receptionist.
Tony said, "I understand you were responsible for preparing Bruno Frye's body for shipment to Santa Rosa last Thursday."
"That's correct. We were cooperating with a mortuary up in St. Helena."
"Would you please tell me exactly what you did with the corpse after you picked it up at the morgue?"
Hardesty looked at him curiously. "Well, we brought the deceased here and treated him."
"You didn't stop anywhere between the morgue and here?"
"No."
"From the moment the body was consigned to you until you relinquished it at the airport, was there ever a time when it was alone?"
"Alone? Only for a minute or two. It was a rush job because we had to put the deceased aboard a Friday afternoon flight. Say, can you tell me what this is all about? What are you after?"
"I'm not sure," Tony said. "But maybe if I ask enough questions I'll find out. Did you embalm him?"
"Certainly," Hardesty said. "We had to because he was being shipped on a public conveyance. The law requires us to hook out the soft organs and embalm the deceased before putting him on a public conveyance."
"Hook out?" Tony asked.
"I'm afraid it's not very pleasant," Hardesty said. "But the intestines and stomach and certain other organs pose a real problem for us. Filled with decaying waste as they are, those parts of the body tend to deteriorate a great deal faster than other tissues. To prevent unpleasant odors and embarrassingly noisy gas accumulations at the viewing, and for ideal preservation of the deceased even after burial, it's necessary to remove as many of those organs as we can. We use a sort of telescoping instrument with a retractable hook on one end. We insert it in the anal passage and--"
Tony felt the blood drain out of his face, and he quickly raised one hand to halt Hardesty. "Thank you. I believe that's all I've got to hear. I get the picture."
"I warned you it wasn't particularly pleasant."
"Not particularly," Tony agreed. Something seemed to be stuck in his throat. He coughed into his hand. It was still down there. It would probably be down there until he got out of this place.