The Young Elites (The Young Elites 1) - Page 18/84

The memory fades away. The bright glow pulses inside the diamond for a moment before fading away. I take a shuddering breath, lost in a haze of wonder and guilt at the memory.

What was that?

Raffaele’s eyes widen, then narrow. He looks down at the diamond. I glance at it too, half expecting it to glow with some color—but instead I see nothing. Maybe I’m too far away to tell. He looks at me. “Fortuna, goddess of Prosperity. Diamond shows your alignment to power and ambition, the fire inside you. Adelina, can you hold your arms out to either side?”

I hesitate, but when Raffaele gives me an encouraging smile, I do as he says—I hold out my arms so that they are parallel to the floor. Raffaele moves the diamond aside and replaces it with the veritium, now bathed in light. He studies me for a bit, then reaches out and pretends to pull at something invisible in the air. I feel an odd, pushing sensation, like someone is trying to shove me aside, searching for my secrets. I instinctively push back. The veritium flashes and lets off a brilliant blue glow.

The memory that comes to me this time:

I am twelve. Violetta and I sit together in our library, where I read to her from a book cataloging flowers. I can still remember those illuminated pages, the parchment crinkling like skeleton leaves. Roses are so beautiful, Violetta sighs in her innocent way, admiring the book’s images. Like you. I stay silent. A while later, when she goes off to play at the harpsichord with Father, I venture out to the garden to look at our rosebushes. I study one of the roses carefully, and then look at my crooked ring finger that my father broke years earlier. On a strange impulse, I reach out and close my hand tightly around the rose’s stem. A dozen thorns slash into the flesh of my palm. Still, I clench my jaw and tighten my grip as hard as I can. You’re right, Violetta. Finally I release the stem, staring in wonder at the blood that blooms on my hand. Scarlet stains the thorns. Pain enhances beauty, I remember thinking.

The scene fades. Nothing else happens. Raffaele tells me to turn back around, and when I do, I notice the veritium is glowing a faint blue. At the same time, it gives off a tremulous note of music that reminds me of a broken flute.

“Sapientus, god of Wisdom,” Raffaele says. “You align with veritium for the truth in oneself, knowledge and curiosity.”

He moves on to the roseite without another word. For this one, he beckons me over to him and tells me to hum in front of it. When I do, a faint tingling runs down my throat, numbing it. The stone glows red for a long moment, then fades in a shower of glitter. The memory that accompanies it:

I am fifteen. Father has arranged for several suitors to come to our home and take a look at both Violetta and me. Violetta stays demure and sweet the whole time, her tiny mouth puckered into a rosy smile. I hate it when they look at me too, she always tells me. But you have to try, Adelina. I catch her in front of her mirror, pulling her neckline down so that it shows more of her curves, smiling at the way her hair falls over her shoulders. I don’t know what to make of it. The men admire her at the dinner. They chuckle and clink glasses. I follow Violetta’s example; I flirt and smile as hard as I can. I notice the hunger in their eyes whenever they glance at me, the way their stares linger on the line of my collarbone, my breasts. I know they want me too. They just don’t want me as a wife. One of them jokes about cornering me the next time I walk alone in our garden. I laugh with him. I imagine mixing poison into his tea, then watching his face turn purple and anguished; I picture myself leaning over him, looking on patiently, with my chin resting in my hands, admiring his dying, writhing body as I count out the minutes. Violetta doesn’t think such things. She sees happiness and hope, love and inspiration. She is our mother. I am our father.

Again the memory disappears into thin air, and again I find myself staring at Raffaele. There is a wariness in his gaze now, distance mixed with interest. “Amare, god of Love,” he says. “Roseite, for the passion and compassion in oneself, blinding and red.”

Finally, he holds up the amber and nightstone. The amber gives off a beautiful golden-orange color, but the nightstone is an ugly rock, dark and lumpy and dull. “What do I do this time?” I ask.

“Hold them.” He takes one of my hands in his. I blush at how smooth the palm of his hand is, how gentle his fingers feel. When he brushes past my broken finger, I wince and flinch away. He meets my gaze. Although he doesn’t ask why I reacted to the touch, he seems to understand. “It will be okay,” he murmurs. “Hold your hand open.” I do, and he carefully places the stones in my hand. My fingers close around them.

A violent shock ripples through me. A wave of bitter fury. Raffaele jumps backward—I gasp, then collapse to the ground. The whispers in the dark corners of my mind now spring free of their cages and fill my thoughts with their noise. They bring a flurry of memories, of everything I’ve already seen and everything I’ve fought to suppress. My father breaking my finger, shouting at me, striking me, ignoring me. The night in the rain. His shattered ribs. The long nights in the Inquisition’s dungeons. Teren’s colorless eyes. The crowd jeering at me, throwing stones at my face. The iron stake.

I squeeze my eye shut and press my hands tightly to my ears in a desperate attempt to block it all out, but the maelstrom grows thicker, a curtain of darkness that threatens to pull me under. Papers fly up from the desk. The glass of Raffaele’s lantern shatters.

Stop. Stop. STOP. I will destroy everything in order to make it stop. I will destroy all of you. I grit my teeth as my fury swirls around me, seething and relentless, yearning to burst free. Through the whirlwind, I hear my father’s harsh whisper.