Monster in His Eyes (Monster in His Eyes 1) - Page 76/82

"Well?" Melody says, snapping her fingers in my face. "Are you listening?"

I glance up, shoving the letter back into the envelope. Friday night. Midnight. I'm not sure how I could get away at that time. "No, sorry, what did you say?"

She repeats herself, something about Paul. I don't know. I still don't listen. My mind is stuck on the note, my stomach in knots. I still don't know what to do, what to think.

We've been here for going on an hour when Paul takes a break and squeezes himself in at our table. Sighing, I look away from them when they start getting touchy-feely, my gaze shifting to the window. My expression falls, my muscles tensing, when I see the familiar Mercedes parked across the street.

The motherfucker followed me.

I should've known. I'm more exasperated than shocked by it. Now that I know his secret, he's not going to let me out of his sight. He's not going to risk it.

He's not even breathing the same air as me, but I suddenly feel like I'm suffocating. I can feel his hands around my throat, little by little squeezing the life out of me.

Melody excuses herself to use the restroom. As soon as she walks away, I turn to Paul. I have a chance to slip away, and I need to find some way to do it... to at least hear them out, hear their side of the story.

It's my mother, after all.

I owe her that much.

Maybe my life was built upon lies, but there's no denying she raised me for eighteen years on her own. The side of me that's fractured is frantic for this opportunity, while the other half is already grieving the loss of the man waiting outside.

"I need something," I tell Paul, my voice barely a whisper. "Something to make someone sleep for a while."

His eyes widen. "Like Ambien?"

"Stronger."

He stares at me. "I can't get anything like that."

I make a quick glance around before focusing on him again. "The first night Melody met you, you bought her a drink... a drink I drank... a drink that knocked me out for half a day. I want whatever you put in it."

"I don't know what—"

"Cut the shit, Paul. I don't have time for it. Can you get it?"

He nods slowly.

"When?"

"Tonight," he says. "I can get it from a friend of mine."

"I'll be back this week for it."

He starts to babble about how he doesn't usually do those sorts of things, how he knows he made a mistake, how he loves Melody and doesn't want anything to ruin it. I don't respond, and he silences himself when she returns from the restroom and retakes her seat.

I stand up to throw my drink away. Hesitating, I pull out the letter and rip it up into a bunch of tiny pieces and throw it away, too. I tell Melody and Paul goodbye, but they don't hear me, too busy sucking face.

I consider pretending I don't see Naz's car, but it's pointless. Instead, I cross the street, walking around and climbing right into the passenger seat. He glances at me. There's no apology in his expression.

"I told you I didn't need a ride into the city."

"I know," he says. "But you said nothing about not needing one back home."

Semantics.

Night is falling, casting most of the house in shadows. It's dreary outside, cold and wet, a light rain falling, the weather matching the feelings simmering inside of me.

I've been back and forth all day, on edge as I roam the house. I can't sit still. I can't do much of anything.

It's Friday.

It felt like it took forever getting here, but yet it came too soon.

I'm not ready.

I don't know if I'll ever be.

"Are you hungry?" Naz asks, stepping into the doorway of the kitchen as I stand in front of the sink, looking out into the back yard. He still hasn't let me out of his sight, but he's attempting conversation now, a semblance of normalcy. "I can order something."

"Actually," I say, turning to him, "I think I'd rather cook."

He's caught off guard. I get a strange thrill at surprising him. "You? Cook?"

"Hey, now," I say defensively. "I can cook."

"Since when?"

"Just because I don't do it doesn't mean I can't. My mother taught me a little bit."

It isn't until the words are already out that I realize what I've said. My eyes widen, regretting the fact that I brought up my mother, like me not speaking about her might make Naz forget she exists. Like the absence of her name on my lips might somehow save lives. He regards me peculiarly as he strolls further into the kitchen, hands in his pockets.

"I remember Carmela's cooking," he says casually. "She was good... much better than Maria. Maria could burn a pot of water with nothing else in it."

Maria…

His wife?

I'm surprised at the ease in his words. I'm not sure how to respond, how to react, merely whispering, "Oh?"

"We had dinner with them that night, you know," he says. "Your mother made lasagna."

I always loved her lasagna. It was my favorite thing she made. I smile at that, but it fades at the recognition of how Naz's story will end.

"We went home afterward, and your mother didn't send any leftovers. I think about that a lot these days. She always sent leftovers when we had dinner there. But she didn't that night." He pauses a few feet in front of me, eyes fixed to mine. "Makes you wonder if she didn't bother because she figured we'd be dead by morning, anyway."

His words send a chill down my spine. I don't want to think that, don't want to believe it. It's so at odds with the woman who raised me to be kind, and loving, and compassionate.

"So yeah," he says, "you can cook if you want, but if it's Ramen noodles, I can't promise I'll eat it."

He offers me a playful smile before walking out. If I hadn't been confused before, I sure am now.

I don't make Ramen. Instead, I make spaghetti and meatballs. It's nothing fancy, not even homemade, everything prepackaged.

Okay, I'm not that good of a cook.

I make up two plates when it's finished, carefully looking around to make sure I won't be caught, before I pull the small vial of white powder from my purse that Paul gave me. I sprinkle it over one of the plates and dispose of the evidence before mixing it in with the sauce. It dissolves easily.

It's invisible, tasteless, and undetectable until it's too late.

I know that from experience.

Taking the plates to the table, I set the tainted one down in front of my seat.

I know Naz. I've figured out his quirks. He pours his own drinks and he rarely trusts food. It's a gamble, trying to predict what he'll do, because if I'm wrong, I'm completely screwed.