All the Light We Cannot See - Page 30/109

A portrait of the führer glowers over every classroom. Learning happens on backless benches, at wooden tables grooved by the boredom of countless boys before them—squires, monks, conscripts, cadets. On Werner’s first day, he walks past the half-open door of the technical sciences laboratory and glimpses a room as big as Zollverein’s drugstore lined with brand-new sinks and glass-fronted cabinets inside which wait sparkling beakers and graduated cylinders and balances and burners. Frederick has to urge him along.

On their second day, a withered phrenologist gives a presentation to the entire student body. The lights in the refectory dim, a projector whirs, and a chart full of circles appears on the far wall. The old man stands beneath the projection screen and whisks the tip of a billiards cue through the grids. “White circles represent pure German blood. Circles with black indicate the proportion of foreign blood. Notice group two, number five.” He raps the screen with his cue and it ripples. “Marriage between a pure German and one-quarter Jew is still permissible, you see?”

A half hour later, Werner and Frederick are reading Goethe in poetics. Then they’re magnetizing needles in field exercises. The bunk master announces schedules of byzantine complication: Mondays are for mechanics, state history, racial sciences. Tuesdays are for horsemanship, orienteering, military history. Everyone, even the nine-year-olds, will be taught to clean, break down, and fire a Mauser rifle.

Afternoons, they lash themselves into a snarl of cartridge belts and run. Run to the troughs; run to the flag; run up the hill. Run carrying each other on your backs, run carrying your rifle above your head. Run, crawl, swim. Then more running.

The star-flooded nights, the dew-soaked dawns, the hushed ambulatories, the enforced asceticism—never has Werner felt part of something so single-minded. Never has he felt such a hunger to belong. In the rows of dormitories are cadets who talk of alpine skiing, of duels, of jazz clubs and governesses and boar hunting; boys who employ curse words with virtuosic skill and boys who talk about cigarettes named for cinema stars; boys who speak of “telephoning the colonel” and boys who have baronesses for mothers. There are boys who have been admitted not because they are good at anything in particular but because their fathers work for ministries. And the way they talk: “One mustn’t expect figs from thistles!” “I’d pollinate her in a blink, you shit!” “Bear up and funk it, boys!” There are cadets who do everything right—perfect posture, expert marksmanship, boots polished so perfectly that they reflect clouds. There are cadets who have skin like butter and irises like sapphires and ultra-fine networks of blue veins laced across the backs of their hands. For now, though, beneath the whip of the administration, they are all the same, all Jungmänner. They hustle through the gates together, gulp fried eggs in the refectory together, march across the quadrangle, perform roll call, salute the colors, shoot rifles, run, bathe, and suffer together. They are each a mound of clay, and the potter that is the portly, shiny-faced commandant is throwing four hundred identical pots.

We are young, they sing, we are steadfast, we have never compromised, we have so many castles yet to storm.

Werner sways between exhaustion, confusion, and exhilaration. That his life has been so wholly redirected astounds him. He keeps any doubts at bay by memorizing lyrics or the routes to classrooms, by holding before his eyes a vision of the technical sciences laboratory: nine tables, thirty stools; coils, variable capacitors, amplifiers, batteries, soldering irons locked away in those gleaming cabinets.

Above him, kneeling on his bunk, Frederick peers out the open window through a pair of antique field glasses and makes a record on the bed rail of birds he has sighted. One notch under red-necked grebe. Six notches under thrush nightingale. Out on the grounds, a group of ten-year-olds is carrying torches and swastika flags toward the river. The procession pauses, and a gust of wind tears at the torch flames. Then they march on, their song swirling up through the window like a bright, pulsing cloud.

O take me, take me up into the ranks

so that I do not die a common death!

I do not want to die in vain, what

I want is to fall on the sacrificial mound.

Vienna

Sergeant Major Reinhold von Rumpel is forty-one years old, not so old that he cannot be promoted. He has moist red lips; pale, almost translucent cheeks like fillets of raw sole; and an instinct for correctness that rarely fails him. He has a wife who suffers his absences without complaint, and who arranges porcelain kittens by color, lightest to darkest, on two different shelves in their drawing room in Stuttgart. He also has two daughters whom he has not seen in nine months. The eldest, Veronika, is deeply earnest. Her letters to him include phrases like sacred resolve, proud accomplishments, and unparalleled in history.

Von Rumpel’s particular gift is for diamonds: he can facet and polish stones as well as any Aryan jeweler in Europe, and he often spots fakes at a glance. He studied crystallography in Munich, apprenticed as a polisher in Antwerp, has even been—one glorious afternoon—to Charterhouse Street in London, to an unmarked diamond house, where he was asked to turn out his pockets and ushered up three staircases and through three locked doors and seated at a table where a man with a mustache waxed to knifepoints let him examine a ninety-two-carat raw diamond from South Africa.

Before the war, the life of Reinhold von Rumpel was pleasant enough: he was a gemologist who ran an appraisal business out of a second-story shop behind Stuttgart’s old chancellery. Clients would bring in stones and he’d tell them what they were worth. Sometimes he’d recut diamonds or consult on high-level faceting projects. If occasionally he cheated a customer, he told himself that was part of the game.

Because of the war, his job has expanded. Now Sergeant Major von Rumpel has the chance to do what no one has done in centuries—not since the Mogul Dynasty, not since the Khans. Perhaps not in history. The capitulation of France is only weeks past, and already he has seen things he did not dream he would see in six lifetimes. A seventeenth-century globe as big around as a small car, with rubies to mark volcanoes, sapphires clustered at the poles, and diamonds for world capitals. He has held—held!—a dagger handle at least four hundred years old, made of white jade and inlaid with emeralds. Just yesterday, on the road to Vienna, he took possession of a five-hundred-and-seventy-piece china set with a single marquise-cut diamond set into the rim of every single dish. Where the police confiscated these treasures and from whom, he does not ask. Already he has personally packed them into a crate and belted it shut and numbered it with white paint and seen it loaded inside a train car where it sits under twenty-four-hour guard.