The woman whose hair she was braiding in tiny, painful-looking cornrows said sharply, “Come on! I’m not spending the whole day here!”
“Sorry, sorry,” Mariama said. Still, she finished repeating the Western Union numbers before she continued braiding, the phone lodged between her shoulder and ear.
Ifemelu opened her novel, Jean Toomer’s Cane, and skimmed a few pages. She had been meaning to read it for a while now, and imagined she would like it since Blaine did not. A precious performance, Blaine had called it, in that gently forbearing tone he used when they talked about novels, as though he was sure that she, with a little more time and a little more wisdom, would come to accept that the novels he liked were superior, novels written by young and youngish men and packed with things, a fascinating, confounding accumulation of brands and music and comic books and icons, with emotions skimmed over, and each sentence stylishly aware of its own stylishness. She had read many of them, because he recommended them, but they were like cotton candy that so easily evaporated from her tongue’s memory.
She closed the novel; it was too hot to concentrate. She ate some melted chocolate, sent Dike a text to call her when he was finished with basketball practice, and fanned herself. She read the signs on the opposite wall—NO ADJUSTMENTS TO BRAIDS AFTER ONE WEEK. NO PERSONAL CHECKS. NO REFUNDS—but she carefully avoided looking at the corners of the room because she knew that clumps of moldy newspapers would be stuffed beneath pipes and grime and things long rotten.
Finally, Aisha finished with her customer and asked what color Ifemelu wanted for her hair attachments.
“Color four.”
“Not good color,” Aisha said promptly.
“That’s what I use.”
“It look dirty. You don’t want color one?”
“Color one is too black, it looks fake,” Ifemelu said, loosening her headwrap. “Sometimes I use color two but color four is closest to my natural color.”
Aisha shrugged, a haughty shrug, as though it was not her problem if her customer did not have good taste. She reached into a cupboard, brought out two packets of attachments, checked to make sure they were both the same color.
She touched Ifemelu’s hair. “Why you don’t have relaxer?”
“I like my hair the way God made it.”
“But how you comb it? Hard to comb,” Aisha said.
Ifemelu had brought her own comb. She gently combed her hair, dense, soft, and tightly coiled, until it framed her head like a halo. “It’s not hard to comb if you moisturize it properly,” she said, slipping into the coaxing tone of the proselytizer that she used whenever she was trying to convince other black women about the merits of wearing their hair natural. Aisha snorted; she clearly could not understand why anybody would choose to suffer through combing natural hair, instead of simply relaxing it. She sectioned out Ifemelu’s hair, plucked a little attachment from the pile on the table, and began deftly to twist.
“It’s too tight,” Ifemelu said. “Don’t make it tight.” Because Aisha kept twisting to the end, Ifemelu thought that perhaps she had not understood, and so Ifemelu touched the offending braid and said, “Tight, tight.”
Aisha pushed her hand away. “No. No. Leave it. It good.”
“It’s tight!” Ifemelu said. “Please loosen it.”
Mariama was watching them. A flow of French came from her. Aisha loosened the braid.
“Sorry,” Mariama said. “She doesn’t understand very well.”
But Ifemelu could see, from Aisha’s face, that she understood very well. Aisha was simply a true market woman, immune to the cosmetic niceties of American customer service. Ifemelu imagined her working in a market in Dakar, like the braiders in Lagos who would blow their noses and wipe their hands on their wrappers, roughly jerk their customers’ heads to position them better, complain about how full or how hard or how short the hair was, shout out to passing women, while all the time conversing too loudly and braiding too tightly.
“You know her?” Aisha asked, glancing at the television screen.
“What?”
Aisha repeated herself, and pointed at the actress on the screen.
“No,” Ifemelu said.
“But you Nigerian.”
“Yes, but I don’t know her.”
Aisha gestured to the pile of DVDs on the table. “Before, too much voodoo. Very bad. Now Nigeria film is very good. Big nice house!”
Ifemelu thought little of Nollywood films, with their exaggerated histrionics and their improbable plots, but she nodded in agreement because to hear “Nigeria” and “good” in the same sentence was a luxury, even coming from this strange Senegalese woman, and she chose to see in this an augury of her return home.
Everyone she had told she was moving back seemed surprised, expecting an explanation, and when she said she was doing it because she wanted to, puzzled lines would appear on foreheads.
“You are closing your blog and selling your condo to go back to Lagos and work for a magazine that doesn’t pay that well,” Aunty Uju had said and then repeated herself, as though to make Ifemelu see the gravity of her own foolishness. Only her old friend in Lagos, Ranyinudo, had made her return seem normal. “Lagos is now full of American returnees, so you better come back and join them. Every day you see them carrying a bottle of water as if they will die of heat if they are not drinking water every minute,” Ranyinudo said. They had kept in touch, she and Ranyinudo, throughout the years. At first, they wrote infrequent letters, but as cybercafés opened, cell phones spread, and Facebook flourished, they communicated more often. It was Ranyinudo who had told her, some years ago, that Obinze was getting married. “Meanwhile o, he has serious money now. See what you missed!” Ranyinudo had said. Ifemelu feigned indifference to this news. She had cut off contact with Obinze, after all, and so much time had passed, and she was newly in a relationship with Blaine, and happily easing herself into a shared life. But after she hung up, she thought endlessly of Obinze. Imagining him at his wedding left her with a feeling like sorrow, a faded sorrow. But she was pleased for him, she told herself, and to prove to herself that she was pleased for him, she decided to write him. She was not sure if he still used his old address and she sent the e-mail half expecting that he would not reply, but he did. She did not write again, because she by then had acknowledged her own small, still-burning light. It was best to leave things alone. Last December, when Ranyinudo told her she had run into him at the Palms mall, with his baby daughter (and Ifemelu still could not picture this new sprawling, modern mall in Lagos; all that came to mind when she tried to was the cramped Mega Plaza she remembered)—“He was looking so clean, and his daughter is so fine,” Ranyinudo said—Ifemelu felt a pang at all the changes that had happened in his life.
“Nigeria film very good now,” Aisha said again.
“Yes,” Ifemelu said enthusiastically. This was what she had become, a seeker of signs. Nigerian films were good, therefore her move back home would be good.
“You from Yoruba in Nigeria,” Aisha said.
“No. I am Igbo.”
“You Igbo?” For the first time, a smile appeared on Aisha’s face, a smile that showed as much of her small teeth as her dark gums. “I think you Yoruba because you dark and Igbo fair. I have two Igbo men. Very good. Igbo men take care of women real good.”
Aisha was almost whispering, a sexual suggestion in her tone, and in the mirror, the discoloration on her arms and neck became ghastly sores. Ifemelu imagined some bursting and oozing, others flaking. She looked away.
“Igbo men take care of women real good,” Aisha repeated. “I want marry. They love me but they say the family want Igbo woman. Because Igbo marry Igbo always.”
Ifemelu swallowed the urge to laugh. “You want to marry both of them?”
“No.” Aisha made an impatient gesture. “I want marry one. But this thing is true? Igbo marry Igbo always?”
“Igbo people marry all kinds of people. My cousin’s husband is Yoruba. My uncle’s wife is from Scotland.”
Aisha paused in her twisting, watching Ifemelu in the mirror, as though deciding whether to believe her.
“My sister say it is true. Igbo marry Igbo always,” she said.
“How does your sister know?”
“She know many Igbo people in Africa. She sell cloth.”
“Where is she?”
“In Africa.”
“Where? In Senegal?”
“Benin.”
“Why do you say Africa instead of just saying the country you mean?” Ifemelu asked.
Aisha clucked. “You don’t know America. You say Senegal and American people, they say, Where is that? My friend from Burkina Faso, they ask her, your country in Latin America?” Aisha resumed twisting, a sly smile on her face, and then asked, as if Ifemelu could not possibly understand how things were done here, “How long you in America?”
Ifemelu decided then that she did not like Aisha at all. She wanted to curtail the conversation now, so that they would say only what they needed to say during the six hours it would take to braid her hair, and so she pretended not to have heard and instead brought out her phone. Dike had still not replied to her text. He always replied within minutes, or maybe he was still at basketball practice, or with his friends, watching some silly video on YouTube. She called him and left a long message, raising her voice, going on and on about his basketball practice and was it as hot up in Massachusetts and was he still taking Page to see the movie today. Then, feeling reckless, she composed an e-mail to Obinze and, without permitting herself to reread it, she sent it off. She had written that she was moving back to Nigeria and, even though she had a job waiting for her, even though her car was already on a ship bound for Lagos, it suddenly felt true for the first time. I recently decided to move back to Nigeria.