A Clash of Kings (A Song of Ice and Fire 2) - Page 122/146

King Robert sat with his guts spilling out on the table from the great gash in his belly, and Lord Eddard was headless beside him. Corpses lined the benches below, grey-brown flesh sloughing off their bones as they raised their cups to toast, worms crawling in and out of the holes that were their eyes. He knew them, every one; Jory Cassel and Fat Tom, Porther and Cayn and Hullen the master of horse, and all the others who had ridden south to King's Landing never to return. Mikken and Chayle sat together, one dripping blood and the other water. Benfred Tallhart and his Wild Hares filled most of a table. The miller's wife was there as well, and Farlen, even the wildling Theon had killed in the wolfswood the day he had saved Bran's life.

But there were others with faces he had never known in life, faces he had seen only in stone. The slim, sad girl who wore a crown of pale blue roses and a white gown spattered with gore could only be Lyanna. Her brother Brandon stood beside her, and their father Lord Rickard just behind. Along the walls figures half-seen moved through the shadows, pale shades with long grim faces. The sight of them sent fear shivering through Theon sharp as a knife. And then the tall doors opened with a crash, and a freezing gale blew down the hall, and Robb came walking out of the night. Grey Wind stalked beside, eyes burning, and man and wolf alike bled from half a hundred savage wounds.

Theon woke with a scream, startling Wex so badly that the boy ran naked from the room. When his guards burst in with drawn swords, he ordered them to bring him the maester. By the time Luwin arrived rumpled and sleepy, a cup of wine had steadied Theon's hands, and he was feeling ashamed of his panic. "A dream," he muttered, "that was all it was. It meant nothing."

"Nothing," Luwin agreed solemnly. He left a sleeping draught, but Theon poured it down the privy shaft the moment he was gone. Luwin was a man as well as a maester, and the man had no love for him. He wants me to sleep, yes . . . to sleep and never wake. He'd like that as much as Asha would.

He sent for Kyra, kicked shut the door, climbed on top of her, and f**ked the wench with a fury he'd never known was in him, By the time he finished, she was sobbing, her neck and br**sts covered with bruises and bite marks. Theon shoved her from the bed and threw her a blanket. "Get out."

Yet even then, he could not sleep.

Come dawn, he dressed and went outside, to walk along the outer walls. A brisk autumn wind was swirling through the battlements. It reddened his cheeks and stung his eyes. He watched the forest go from grey to green below him as light filtered through the silent trees. On his left he could see tower tops above the inner wall, their roofs gilded by the rising sun. The red leaves of the weirwood were a blaze of flame among the green. Ned Stark's tree, he thought, and Stark's wood, Stark's castle, Stark's sword, Stark's gods. This is their place, not mine. I am a Greyjoy of Pyke, born to paint a kraken on my shield and sail the great salt sea. I should have gone with Asha.

On their iron spikes atop the gatehouse, the heads waited.

Theon gazed at them silently while the wind tugged on his cloak with small ghostly hands. The miller's boys had been of an age with Bran and Rickon, alike in size and coloring, and once Reek had flayed the skin from their faces and dipped their heads in tar, it was easy to see familiar features in those misshapen lumps of rotting flesh. People were such fools. If we'd said they were rams' heads, they would have seen horns.

Chapter Fifty-seven

SANSA

They had been singing in the sept all morning, since the first report of enemy sails had reached the castle. The sound of their voices mingled with the whicker of horses, the clank of steel, and the groaning hinges of the great bronze gates to make a strange and fearful music. In the sept they sing for the Mother's mercy but on the walls it's the Warrior they pray to, and all in silence. She remembered how Septa Mordane used to tell them that the Warrior and the Mother were only two faces of the same great god. But if there is only one, whose prayers will be heard?

Ser Meryn Trant held the blood bay for Joffrey to mount. Boy and horse alike wore gilded mail and enameled crimson plate, with matching golden lions on their heads. The pale sunlight flashed off the golds and reds every time Joff moved. Bright, shining, and empty, Sansa thought.

The Imp was mounted on a red stallion, armored more plainly than the king in battle gear that made him look like a little boy dressed up in his father's clothes. But there was nothing childish about the battle-axe slung below his shield. Ser Mandon Moore rode at his side, white steel icy bright. When Tyrion saw her he turned his horse her way. "Lady Sansa," he called from the saddle, "surely my sister has asked you to join the other highborn ladies in Maegor's?"

"She has, my lord, but King Joffrey sent for me to see him off. I mean to visit the sept as well, to pray."

"I won't ask for whom." His mouth twisted oddly; if that was a smile, it was the queerest she had ever seen. "This day may change all. For you as well as for House Lannister. I ought to have sent you off with Tommen, now that I think on it. Still, you should be safe enough in Maegor's, so long as - "

"Sansa!" The boyish shout rang across the yard; Joffrey had seen her. "Sansa, here!"

He calls me as if he were calling a dog, she thought.

"His Grace has need of you," Tyrion Lannister observed. "We'll talk again after the battle, if the gods permit."

Sansa threaded her way through the file of gold-cloaked spearmen as Joffrey beckoned her closer. "It will be battle soon, everyone says so."

"May the gods have mercy on us all."

"My uncle's the one who will need mercy, but I won't give him any." Joffrey drew his sword. The pommel was a ruby cut in the shape of a heart, set between a lion's jaws. Three fullers were deeply incised in the blade. "My new blade, Hearteater."

He'd owned a sword named Lion's Tooth once, Sansa remembered. Arya had taken it from him and thrown it in a river. I hope Stannis does the same with this one. "It is beautifully wrought, Your Grace."

"Bless my steel with a kiss." He extended the blade down to her. "Go on, kiss it."

He had never sounded more like a stupid little boy. Sansa touched her lips to the metal, thinking that she would kiss any number of swords sooner than Joffrey. The gesture seemed to please him, though. He sheathed the blade with a flourish. "You'll kiss it again when I return, and taste my uncle's blood."

Only if one of your Kingsguard kills him for you. Three of the White Swords would go with Joffrey and his uncle: Ser Meryn, Ser Mandon, and Ser Osmund Kettleblack. "Will you lead your knights into battle?" Sansa asked, hoping.

"I would, but my uncle the Imp says my uncle Stannis will never cross the river. I'll command the Three Whores, though. I'm going to see to the traitors myself." The prospect made Joff smile. His plump pink lips always made him look pouty. Sansa had liked that once, but now it made her sick.

"They say my brother Robb always goes where the fighting is thickest," she said recklessly. "Though he's older than Your Grace, to be sure. A man grown."

That made him frown. "I'll deal with your brother after I'm done with my traitor uncle. I'll gut him with Hearteater, you'll see." He wheeled his horse about and spurred toward the gate. Ser Meryn and Ser Osmund fell in to his right and left, the gold cloaks following four abreast. The Imp and Ser Mandon Moore brought up the rear. The guards saw them off with off with shouts and cheers. When the last was gone, a sudden stillness settled over the yard, like the hush before a storm.

Through the quiet, the singing pulled at her. Sansa turned toward the sept. Two stableboys followed, and one of the guards whose watch was ended. Others fell in behind them.

Sansa had never seen the sept so crowded, nor so brightly lit; great shafts of rainbow-colored sunlight slanted down through the crystals in the high windows, and candles burned on every side, their little flames twinkling like stars. The Mother's altar and the Warrior's swam in light, but Smith and Crone and Maid and Father had their worshipers as well, and there were even a few flames dancing below the Stranger's half-human face . . . for what was Stannis Baratheon, if not the Stranger come to judge them? Sansa visited each of the Seven in turn, lighting a candle at each altar, and then found herself a place on the benches between a wizened old washer woman and a boy no older than Rickon, dressed in the fine linen tunic of a knight's son. The old woman's hand was bony and hard with callus, the boy's small and soft, but it was good to have someone to hold on to. The air was hot and heavy, smelling of incense and sweat, crystal-kissed and candle-bright; it made her dizzy to breathe it.

She knew the hymn; her mother had taught it to her once, a long time ago in Winterfell. She joined her voice to theirs.

Gentle Mother, font of mercy,

save our sons from war, we pray,

stay the swords and stay the arrows,

let them know a better day.

Gentle Mother, strength of women,

help our daughters through this fray,

soothe the wrath and tame the fury,

teach us all a kinder way.

Across the city, thousands had jammed into the Great Sept of Baelor on Visenya's Hill, and they would be singing too, their voices swelling out over the city, across the river, and up into the sky. Surely the gods must hear us, she thought.

Sansa knew most of the hymns, and followed along on those she did not know as best she could. She sang along with grizzled old serving men and anxious young wives, with serving girls and soldiers, cooks and falconers, knights and knaves, squires and spit boys and nursing mothers. She sang with those inside the castle walls and those without, sang with all the city. She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin, for all the brave knights and soldiers who would die today, and for the children and the wives who would mourn them, and finally, toward the end, she even sang for Tyrion the Imp and for the Hound. He is no true knight but he saved me all the same, she told the Mother. Save him if you can, and gentle the rage inside him.

But when the septon climbed on high and called upon the gods to protect and defend their true and noble king, Sansa got to her feet. The aisles were jammed with people. She had to shoulder through while the septon called upon the Smith to lend strength to Joffrey's sword and shield, the Warrior to give him courage, the Father to defend him in his need. Let his sword break and his shield shatter, Sansa thought coldly as she shoved out through the doors, let his courage fail him and every man desert him.

A few guards paced along on the gatehouse battlements, but otherwise the castle seemed empty. Sansa stopped and listened. Away off, she could hear the sounds of battle. The singing almost drowned them out, but the sounds were there if you had the ears to hear: the deep moan of warhorns, the creak and thud of catapults flinging stones, the splashes and splinterings, the crackle of burning pitch and thrum of scorpions loosing their yard-long iron-headed shafts . . . and beneath it all, the cries of dying men.

It was another sort of song, a terrible song. Sansa pulled the hood of her cloak up over her ears, and hurried toward Maegor's Holdfast, the castle-within-a-castle where the queen had promised they would all be safe. At the foot of the drawbridge, she came upon Lady Tanda and her two daughters. Falyse had arrived yesterday from Castle Stokeworth with a small troop of soldiers. She was trying to coax her sister onto the bridge, but Lollys clung to her maid, sobbing, "I don't want to, I don't want to, I don't want to."